Sure, it’s a green dress, but is it silk, tulle, or a heavy woven material? The way it’s drawn, the way it drapes around a figure, and even the way it’s colored or painted should give the viewer an idea of the sort of textile being depicted. At the very least, I want to understand what a garment may feel like when worn. If I’m being sold clothing from an illustration, for instance, I should be able to figure out if the clothing is warm and cozy or light and breezy. You’ll want to viewer to understand if the textile is smooth and soft or stiff and itchy.
Preparing the Reference Photograph 6m Drawing Our Vector Portrait in Illustrator 11m Shaping the Vector Portrait with Line Work 12m Establishing Line Work for the Hair 13m Adding Definition to Our Vector Portrait 11m Finalizing the Definition to Our Vector Portrait 8m Applying Dark Contours to Our Vector Portrait 10m Constructing the Model's Jacket 10m Implementing a Shine and Shadow Effect on the Jacket 12m Coloring the Model's Eyes, Hair, and Lips 8m Polishing the Illustration 9m Creating Splatters to the Illustration 9m Finishing the Splatters on the Illustration 9m Transforming the Splatters Using Texture Effects 10m Applying Mixed Media Elements to the Illustration 10m Adding the Tattoo and Scorpion Silhouette 9m Organizing Abstract Vector Shapes to Composition 10m
To start designing it is important to understand the construction techniques to create basic skirts, bodices, jackets and coats, sleeves, trousers and collars. It is the key elements that form Western dress. To create a three dimensional shape on the figure and illustrate contemporary fashion design should know basic garment cutting and fitting method. Also follow the two-dimensional planning of construction, fastenings, performance and movement.
Most of the illustrators I spoke to studied design in some capacity. Rodgers, who has worked with everyone from Cartier to Coach to Disney, studied industrial design at Carnegie Mellon and went on to work in apparel design, illustrating in her spare time. Jenny Walton, a part-time illustrator who has worked with Harper’s Bazaar and InStyle, studied fashion design at Parsons, and says that her figure drawing classes were immensely helpful. “To be good at drawing, it takes a lifetime of drawing for hours and hours and hours,” she says.
“Photography has long been considered superior to illustration when it comes to selling magazines” says Downton. “But it’s like asking what an apple can do that a banana can’t. I think they have a symbiotic relationship. Illustration changes the pace of a magazine as you read it; and you project your own finish onto the story which gives a different sense of satisfaction to the reader.”

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Donatella started to work for her brother Gianni in the late 1970s, serving as his muse and adviser. Then she became the designer for the company’s Versus line in the 1980s. After her brother was murdered, in 1997, she became creative director of the Versace Group. Donatella made sure that Versace shops would be on different fashion centers around the world, particularly Milan and New York. Top celebrities like Jennifer Lopez and Madonna have endorsed the company’s collection of clothes, accessories, fragrances and home furnishings.
One of our favorite italian fashion designers, Miuccia Prada was once a member of the Italian Communist Party and a mime student. She was an unlikely entrepreneur when she took over her family’s luggage business in 1978. She first dazzled the fashion world in 1985 with a series of black nylon handbags and backpacks. Prada is now a billion-dollar company. Beginning with Prada’s first ready-to-wear collection in 1989, she established a techno minimalism based on pared-down design, innovative fabrics, and computer-enhanced patterns that have become influentially iconic.

In my opinion, one of the most fun parts of fashion illustration is when an artist can show the weight and texture of a fabric within their drawing or painting. Whether they’ve taken the time to render corduroy or are skilled at showing the fabric’s weight through movement, I, as a viewer and artist, love to revel in these sorts of details. Instantly I understand the garment I’m seeing, and it’s far more tangible than everything being worn or shown looking the same.

A vibrant fashion style is reserved for the lady who wants to say “Hey, look at ME, world!” This energetic and intense fashion style typically features garments with wild patterns and exaggerated embroidery as well as asymmetrical designs and tons of colors. Most of her wardrobe will be lined with super light and pastel colors that draw the attention of everyone’s eyes, no matter where it’s worn.
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