Exaggerate features of the figure or face of the figure in order to accentuate the designs being displayed. A tiny waist or large hips can show off the curves within a dress. Few facial features will keep the focus on the clothes or body itself. If the focus is on accessories or hair, make the hair big or understate the clothing. Much like caricatures or cartoons, exaggerations within the drawing will diminish some features or make others more prominent. Use stylization to tell a story with your fashion illustration.
Known as the prince of Prints, the fashion designer Emilio Pucci got known for his tight shantung “Pucci pants” and vividly printed silk dresses and blouses. His colorful, informal uniforms for Braniff flight attendants were groundbreaking. Later, Pucci branched into men’s fashions, perfume, and ceramics. He also served as a member of the Italian Parliament. His color trends and designs are one of KOKET’s most lovable inspirations.
Today, A-list stars such as Michelle Pfeiffer and Jodie Foster often opt for his evening suits and gowns when they walk the red carpet. Armani delivers elegance that is never overtly sexual or brash. For today’s power brokers and celebrities, owning Armani suits and separates is a status symbol – his clothes always send a message of quiet confidence.
Additionally, hair can be a main focal point of a fashion illustration. If the story of the illustration is to depict a hairstyle or show off various hair accessories, the hair may be what drives the composition of the piece or even holds all of the action within it as a dress in a larger, full-body illustration would. Many of the tips for clothing apply for hair as well: form, texture, composition, movement, and style are all relevant points when featuring a hairstyle within your fashion illustration.
A little trick i do for when i sketch clothes is not giving a lot of matter over the long of the girl in the sketch, actually a lot of designers draw really (REALLY) long women, mostly because it helps visualize their designs and also cause models are freaky tall …. but it help me with clothes :3 to focus on style, instead of focusing over anatomy. (draw long and short girls! it doesnt matter)
Whatever the catalyst, fashion illustration is having 'a moment’. It has been fidgeting the industry for some time - perhaps since Nick Knight introduced Helen Downie’s Unskilled Worker into fashion's limelight two years ago, and it’s now truly kicking. Grace Coddington and Michael Robert’s GingerNutz story in our December issue - whose cover itself generated a multitude of illustrated versions that flooded the social channels - stands as definitive proof. The video of Coddington talking about it generated 10,000 views in its first twelve hours on YouTube, while Caroline Stein’s Instagram version of Pat McGrath’s LABS generated 100 likes-a-minute for the first hour it was live. People clearly like looking at it.
Talented and charismatic, he soon drew the attention of VIP’s in the fashion world; they appreciated his chic knitwear and his creativity. Always influenced by art, Gianni Versace drew inspiration from ancient Roman and Greek paintings and sculpture, as well as modern abstracts and Pop Art – producing bold, current designs using color, prints, and careful fitting that accentuated the lines of the body,
A mother-of-four, Downie clearly has a knack for “accidental” success having initially touched upon the fashion scene via a short stint making jewellery at her kitchen table which was selling at hip Covent Garden store Koh Samui in the late Nineties - before “one day I was cooking fishfinger sandwiches and [Net-A-Porter.com founder] Natalie Massenet calls up to ask if she can buy some for this new online thing she was doing”. Whether professionally trained or not, she’s keen that fashion illustrators are worthy of being called artists regardless of their status in relation to photographers. Certainly her own work is now bought by collectors all over the world at prices akin to fine art, regardless of what her subjects are depicted wearing. Citing the work of her Gucci collaborator Ignaci, as well as that of Kelly Brennan and Jill Button, “it crosses the line of design and fine art”, she says. “Whatever that umbrella term can be called. It shouldn’t be relegated to just fashion illustration.”
“Intuition is a strong feminine quality. I have applied that instinct to my career“. This is one our favorite quotes by Carolina Herrera and we think she is a true inspiration to women in fashion, and more, around the world. Carolina started to be known by regularly appearing on the International Best Dressed List in the 80’s. Her trend marks are classy pieces like pencil skirts paired with crisp white cotton shirts. In 2008 she was awarded the Lifetime Achievement Award from the Council of Fashion Designers of America.
In the 80’s, Ralph Lauren really became a force to be reckoned with, as his signature polo shirts for men, with their ubiquitous polo pony and rider, became coveted items for many different demographics. Available in every color of the rainbow, they lined his coffers and allowed him to put more money into his glamorous women’s wear lines; he especially enjoyed producing couture pieces and overseeing glossy runway shows.
Most of the illustrators I spoke to studied design in some capacity. Rodgers, who has worked with everyone from Cartier to Coach to Disney, studied industrial design at Carnegie Mellon and went on to work in apparel design, illustrating in her spare time. Jenny Walton, a part-time illustrator who has worked with Harper’s Bazaar and InStyle, studied fashion design at Parsons, and says that her figure drawing classes were immensely helpful. “To be good at drawing, it takes a lifetime of drawing for hours and hours and hours,” she says.
In my opinion, one of the most fun parts of fashion illustration is when an artist can show the weight and texture of a fabric within their drawing or painting. Whether they’ve taken the time to render corduroy or are skilled at showing the fabric’s weight through movement, I, as a viewer and artist, love to revel in these sorts of details. Instantly I understand the garment I’m seeing, and it’s far more tangible than everything being worn or shown looking the same.
Creating a garment flat in Adobe Illustrator is the most foundational skill a fashion designer needs to know. A garment flat is a basic digital sketch that displays a garment as if it were laid "flat". It's used to communicate your design idea technically - whether that's to a pattern-maker, technical designer, merchandiser, or manufacturer. Garment flats are also a must-have in any tech pack or fashion design portfolio.
Come up with an organizing principle. Whatever you do, you should probably try to keep different parts of one project together as much as possible. So, for example, if you explored organic structures like feathers and leaves for one project and tribal or folk art for another, try to keep the various parts of those projects together. Ultimately, you need an organizational principle because you'll have to choose how you want to present those projects.
Giorgio Armani was born on July 11, in 1934, in Italy. Armani is an iconic and unique fashion designer. His popularity skyrocketed in America in the 1980s with his men’s ‘power suits’. Armani attracted an enviable fashion following in the 80s with the unstructured jackets and soft trousers in mineral hues. With more than three decades in the business, Armani has enjoyed a longevity as a designer experienced by few others.
There is only one thing you need to create the gothic fashion style: BLACK. Everything about the gothic style is black, from black hair to black lips, black shirts to black boots. Women who wear gothic fashions will typically be seen wearing tight-fitting clothing, intricate black dresses, and tons of chains, spikes, studs, and other exotic accessory styles. The overall look is designed to say ‘morbid’ and ‘mysterious’, and that is easily accomplished with the super dark clothing and accessories from head to toe.