These boys Abu-Jani and Sandeep Khosla, as a duo are legendary in the fashion-circuit and earned success, hype, fame and attention. They were the first and the foremost to exhibit their work at Harrods, the UK luxury store. Though they lack in pro training, yet their designs are exclusive, distinctive and remarkable. All the time, they travel to the distant and remote areas in quest of the hidden-styles that are yet to be exposed. This creative coalition exudes talent and attitude!
You don't have to know how to draw to be a fashion designer. Something that you can do is look at different books on how to draw, so that you can do simple sketches of your designs. Also, the more you practice drawing, the better you will become. If you are going to go to college for fashion, then there will be classes that can teach you draw and sketch.
Yamamoto was born in Yokohama, Japan on October 3, 1943. He studied law at Keio University and graduated in 1966 with a law degree. He continued his studies on fashion design at the famous Bunkafukuso Gakuin, a fashion institute in Tokyo. Yamamoto blends the exotic and powerful designs of traditional Japanese dress with Western daywear, and achieves a unique, abstract style. He is an uncompromising, nontraditional designer. Yamamoto drapes and wraps the body in unstructured, loose, voluminous garments, similar in style and philosophy to those of Rei Kawakubo. Many of his clothes have additional flaps, pockets and straps.
Research is a journey of questioning, exploring, conceptualizing and visualizing information generated by observation and investigation. Record the all research information’s and creates a rich visual archive which can be used to inspire your designs from theme to final detail. Research is the key direction to good design development. It is actual guideline to start fashion design development process.
Like Halston, Calvin Klein epitomized disco glamour in the freewheeling late Seventies. His tight designer jeans, which clung to the sleek bodies of the greatest beauties of the day, including the young Brooke Shields, cemented his fame and made him millions of dollars. However, Calvin Klein’s reign continued well into the 80’s and 90’s – his spare, stripped-down designs offered a minimalist perspective that carried a very modern message. The use of sexuality in his ads was often a keystone of his success; his campaigns were designed to send overt messages and perhaps to shock. Today, his empire is still strong, despite some turbulence in the late nineties: his suits, dresses, and couture still offer a unique viewpoint.
Hair can also help in the composition or be a main focal point as well. In terms of composition, the movement of the hair can be just as important as the movement of a garment. You’ll notice in many of the images in this article that most of the hair depicted is long and often moves with the dresses drawn in the illustration. You may want to consider hair to be another piece of the illustrated puzzle when creating fashion illustrations.
The top icon of fashion design, Elsa Schiaparelli was born on September 10, 1890, in Italy. After working at a boutique in New York, Schiaparelli moved to Paris, where she began designing her own clothes. Her work and sense of style shaped the look of fashion in the 1920s and ’30s, and her clothes were worn by some of the world’s most famous women, including American actress Greta Garbo. Schiaparelli died in Paris on November 13, 1973.
Fashion designer Issey Miyake used new technology to create innovative textiles with both Eastern and Western influences for his clothing line. Issey Miyake was born on April 22, 1938, in Hiroshima, Japan. In the 1960s, he designed for Givenchy in Paris, after which he designed for Geoffrey Bean in Manhattan. In 1970, Miyake started his own design studio. During the 1970s, he toyed with avant-garde Eastern designs. In the 1980s, he began using technology new East meets West textiles.
Collage loose supplemental items together and glue them onto good paper. Often your investigative pieces, like interesting textures or structures, will involve a lot of small samples and clippings. Ideally, the person who reviews your portfolio should just be able to flip through it, so collage all of the smaller pieces on letter-sized sheets of paper to make them more readily accessible. Group items by type, or arrange them in a way that makes sense. Provide labels like "color work" or "experimental glazing methods" as needed, and add small explanatory lines or paragraphs if it is necessary for you to show the reader what you were doing.