Gather materials. Choose a hard lead pencil (H pencils are best) that makes light, sketchy marks that are easy to erase. Marks made with these pencils also don't indent the paper, which is helpful when you want to add color to the image. A good quality eraser and thick paper are also important materials to have if you want your sketch to look professional.

Collage loose supplemental items together and glue them onto good paper. Often your investigative pieces, like interesting textures or structures, will involve a lot of small samples and clippings. Ideally, the person who reviews your portfolio should just be able to flip through it, so collage all of the smaller pieces on letter-sized sheets of paper to make them more readily accessible. Group items by type, or arrange them in a way that makes sense. Provide labels like "color work" or "experimental glazing methods" as needed, and add small explanatory lines or paragraphs if it is necessary for you to show the reader what you were doing.


The India’s dearest and beloved designer, known & appreciated not only by Bollwood’s-leading-ladies and men but also designs for Hollywood-superstars like Reese-Witherspoon and supermodels Naomi-Campbell nd Kate-Moss. He’s the one who brought vivacity, energy and colors to blockbuster movies like kuch-kuch-hota-hai, Dil-to-pagal-hai….He was also asked to design-clothes for Michael Jackson. He’s linked with the top international companies of Thai-Gems & Jewellers Association, Deutche-Bank, American-Express-Bank, Wizcraft, Moet and Henessey..
Sure, it’s a green dress, but is it silk, tulle, or a heavy woven material? The way it’s drawn, the way it drapes around a figure, and even the way it’s colored or painted should give the viewer an idea of the sort of textile being depicted. At the very least, I want to understand what a garment may feel like when worn. If I’m being sold clothing from an illustration, for instance, I should be able to figure out if the clothing is warm and cozy or light and breezy. You’ll want to viewer to understand if the textile is smooth and soft or stiff and itchy.
Begin by printing out some simple designs with clear outlines. Then, put a piece of paper over this drawing, and sketch the outline. Once you become familiar with doing this by imitation tracing, it its easy to gain the skills needed to do the sketches by yourself. Practice like this every day for at least a week and you'll start to feel more confident about doing it your own way.

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Donna Karan came from a background that was related to fashion in certain ways. This fashion designer worked as a head of a design team for a few number of years and launched some designs that included the very well-known ‘Seven Easy Pieces’. She is the sole creator of the DKNY label (Donna Karen New York). Since then, this label has seen many new additions in the fashion segment.
The hats Roy Frowick created in his spare time became his entrée into the world of high fashion. After garnering some publicity for his designs in a Chicago newspaper, he was able to open his first boutique in 1957. Around this time, he dropped his first and last names, opting for a more glamorous moniker that has became synonymous with American glamour…Halston.

Born Gabrielle“Coco” Bonheur Chanel, she is a excellent French fashion designer, founder of the well known Chanel brand, whose modernist thought, practical design, and pursuit of expensive simplicity made her an important and influential figure in 20th-century fashion. She was the only fashion designer to be named on Time 100: The Most Important People of the Century.

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The top icon of fashion design, Elsa Schiaparelli was born on September 10, 1890, in Italy. After working at a boutique in New York, Schiaparelli moved to Paris, where she began designing her own clothes. Her work and sense of style shaped the look of fashion in the 1920s and ’30s, and her clothes were worn by some of the world’s most famous women, including American actress Greta Garbo. Schiaparelli died in Paris on November 13, 1973.

It was through Instagram that Walton landed her first commission — paying $500 (a pretty low fee if you’re an established illustrator), which she couldn’t believe. “It was like, oh my god, they want to give me $500 for something I do in my free time?” Later on, she got an email from the creative director of InStyle, Rina Stone. It turned out an editor had shown Stone Walton’s Instagram, and Walton ended up creating artwork for an 18-page spread in the magazine. “If you have a skill and you just try and put it out there, it’s amazing how you could really reach anybody now.”

Tom Ford studied design at the before he worked for Perry Ellis andCathy Hardwick. Tom was hired in 1990 to oversee Gucci’s women’s wear collections, and had a breakthrough four years later when he was appointed creative director. The Gucci makeover masterminded by Ford was the biggest fashion success story of the late 90s. His sultry rock-star velvet hip-slung trousers, leather stilettos, and Halston-esque dresses were blockbusters. After Gucci’s buyout of Yves Saint Laurent in 1999, Ford also became creative director of YSL Rive Gauche. In 2005, Ford launched the Tom Ford brand.


Born Gabrielle“Coco” Bonheur Chanel, she is a excellent French fashion designer, founder of the well known Chanel brand, whose modernist thought, practical design, and pursuit of expensive simplicity made her an important and influential figure in 20th-century fashion. She was the only fashion designer to be named on Time 100: The Most Important People of the Century.
Colour is a basic consideration in the fashion design process. In most cases color is the first element that is noticed about a design and has a huge impact in how that garment is perceived. Different forecasting companies research and develop new and existing colour palettes from many sources like yarn technologists, international fabric fairs, leather suppliers, trimming merchants etc. some fashion magazine give inspirational colour guideline for fashion design.
Español: preparar un portafolio de diseño de modas, Русский: подготовить портфолио модного дизайнера, Italiano: Preparare un Portfolio di Moda, Português: Criar um Portfólio de Moda com Estilo, Français: préparer un portfolio de créations de mode, Deutsch: Erstelle ein Modedesign Portfolio, Bahasa Indonesia: Mempersiapkan Portofolio Desain Mode, Nederlands: Een portfolio maken als modeontwerper
Make sure that these works incorporate a range of different types of styles or approaches to fabric and materials. You shouldn’t include more than two pieces from one style or approach. For example, maybe you have two pieces that showcase your ability to work with leather. You should also include one to two pieces that show off your ability to work with a different material, like silk or jersey. This will illustrate that you are able to work with several different materials and in several different styles.
Arty as the names suggest, invokes the independent creativity of the person. These are usually the ones who want to make a statement of their own by the clothes they wear. Most of the times, they are the creators of their own fashion style. They do not follow the traditional norms and make the path for themselves. The unconventional for of art leads to innovating very many interesting forms of trends which are not restricted by the usual textbook nature of creating fashion.
Christian Lacroix directs his devotion and talent for fantasy and theatrics to create true design spectacles. Lacroix arrived in the 80s with the opening of his fashion house and immediately set the world on fire with unexpected mixes of colors and patterns. “The idea of seeing everybody clad the same is not really my cup of tea“. This is one of the best quotes of Lacroix, fighting for unique and irreverent pieces in the world of fashion.
Mood board is the summary of your design collections. Put everything together like fabric, trims and also express emotions and mood on your mood board in a way that’s not just beautiful but fascinating. Remember that, your mood board is a selling tool for your ideas, so make it exciting! Mainly it’s a design tool that will help you to stay focused and consistent as your line develops. Generally it is prepare for the communication purposes and explaining your vision to others like retailers, media etc.. It is also use for creating a range or a collection.
In the 60’s, Valentino made a decision that would enhance his reputation; he sent Jacqueline Kennedy, the American First Lady and fashion icon, a series of his pieces to look over. She was enchanted with his designs, and even chose to wear one of his dresses when she married her second husband, Greek shipping tycoon Aristotle Onassis: her influence led to greater fame and fortune in North America.
“It’s happening now because social media is so hungry for content, but there is so much cold content out there; so much straight product, which has very little emotional resonance with the audience” says Downie, who was discovered by Nick Knight a year after now-famously taking up painting at the age of 48, and now works with Alessandro Michele at Gucci. “Luxury brands have had to find a way to show their collections in a warm way.”
Buy or find a portfolio or presentation case. You can find both portfolios and presentation cases online or at good art supply stores, especially if you already live near an art or design school. Which one you need will depend on the pieces you’re presenting. The case should be neat and clean, but if you're a student, it doesn't need to be high end as long as it is functional and effectively displays or stores your works. You may want to invest in a nicer case if you are presenting your portfolio in a professional setting.[5]
Showcase your strongest ideas. You may not have the resources to make what you're designing, or you may not have all of the skills yet--that's okay. The person looking at your portfolio wants to see how you think and create, so show them your pen and ink sketches or your charcoal drawings. You need to have a couple of different examples of your work represented as well as figure drawings that will demonstrate your ability to represent three dimensions on a two dimensional surface. Anything more than that is bonus material.[3]
The balance line should be a straight vertical line, even if you want the model to pose in a leaning position. For example, if you want the the model to be posed with her hips tilted slightly to her left, draw a straight balance line in the middle of the page. You want this line to extend from the top of the model's head to the ground that she is standing on.

Donna Karan came from a background that was related to fashion in certain ways. This fashion designer worked as a head of a design team for a few number of years and launched some designs that included the very well-known ‘Seven Easy Pieces’. She is the sole creator of the DKNY label (Donna Karen New York). Since then, this label has seen many new additions in the fashion segment.
“It was the death of the last grand master, René Bouché, in 1963 which really signified the end of classic fashion illustration,” says David Downton, who has almost single handedly kept illustration in the limelight over the last 20 years having sketched in the front row of the couture shows for the last 40 seasons straight; illustrated countless celebrities for Vanity Fair and, in 2009, drawn Cate Blanchett for a record-selling anniversary issue of Australian Vogue - as well as having played “artist in residence” at Claridges for the last decade where he can often be found in Le Fumoir sketching anyone from Julianne Moore or Grace Jones to Michael Caine. “It coincided with the rise of the celebrity photographers - and fashion always voraciously wants what is new.”
To get attractive design, the feel, handle and texture of fabrics is most essential. Fashion is a visual medium; so touch becomes increasingly important to express luxury looks at the fashion market. Textile technologists have made great improvements in the sensual aspects of fabric like how it feels, looking and behaves, in addition to treatments that can affect the look and feel of garments after they are made, for example, washes and abrasions. 

While as a medium it has been sidelined as old fashioned in comparison to the cutting edge that photography presented - made all the more thrilling by a Bailey-esque reputation for rebellion - in those days fashion illustration led the fashion press, inspiring new attitudes and breathing new life into past ones. In doing so it created a visual timeline of life since Vogue began. It never completely disappeared, but recently it has come back to explosive effect. Perhaps our first Vogue under editor Edward Enninful was such a marker in the sand of the new that it has generated a naturally concurrent upsurge in nostalgia; or perhaps, as technology erupts around us, we yearn for the quiet of a considered illustration, alive with the possibility of the artist's internal thoughts as much as with the potential of our own interpretation.
Finish with the feet and arms. The feet are relatively narrow. Draw them like elongated triangles that are about the same length as the head. Construct the arms like the legs, tapered toward the wrists. Make them longer in proportion to the torso than a real person’s arms would be, since this gives a more stylized impression. Add the hands and fingers last.
Consider making flats. In addition to making a fashion illustration, you may want to create a flat schematic. This is an illustration of your clothing design that shows the flat outline of the garment, as though it were laid out on a flat surface. It's helpful for people viewing the design to see the flat version as well as the way it would look modeled on a body.[4]
A vibrant fashion style is reserved for the lady who wants to say “Hey, look at ME, world!” This energetic and intense fashion style typically features garments with wild patterns and exaggerated embroidery as well as asymmetrical designs and tons of colors. Most of her wardrobe will be lined with super light and pastel colors that draw the attention of everyone’s eyes, no matter where it’s worn.
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