Surface designs are often a big deal in fashion. They can make simple pieces more interesting and even be a focal point within an illustration. There are only so many silky dresses that will go down a runway before patterns start popping. Being able to really show off a Moschino show in illustrated form would be nothing without being able to showcase the patterns created for their garments.
If you are presented with a figure whose body is hidden underneath a large dress, for instance, knowing the gestural form beneath it allows you to create poses that may not exist quickly and easily. Being able to move your figure around without having to directly copy from a photo or ask a model to make said pose means more flexibility when your client asks for a specific pose or concept.
Draw the balance line. This is a the first line of your sketch, and it represents your model’s center of gravity. Draw it from the top of the head to the tip of the toes, along the backbone of your croquis. Now draw an oval to represent the head. This is the base of your croquis, and from this, a proportional drawing can be made. You can think of the croquis as the skeleton of the model.
Most of the illustrators I spoke to studied design in some capacity. Rodgers, who has worked with everyone from Cartier to Coach to Disney, studied industrial design at Carnegie Mellon and went on to work in apparel design, illustrating in her spare time. Jenny Walton, a part-time illustrator who has worked with Harper’s Bazaar and InStyle, studied fashion design at Parsons, and says that her figure drawing classes were immensely helpful. “To be good at drawing, it takes a lifetime of drawing for hours and hours and hours,” she says.
I can’t think of a more surreal experience than being in class at a fashion school, finding out your designs are on the cover of WWD, leaving class to go get a copy and coming back to your professor yelling at you. Exactly one year ago today, this happened to Alan Eckstein, one half of Timo Weiland. If that's not an indicator of good things to come for a brand new designer, I don't know what is. It seems like overnight, Timo Weiland and Alan Eckstein--two very young self-proclaimed "fashion geeks" with no technical training--grew a small line of neckwear into a successful full-fledged men's and women's clothing line that will show at Lincoln Center on Sunday. Also an integral part of the team, Donna Kang, the only one with a technical fashion background, is behind the scenes helping to make beautiful things happen. Together, they are unstoppable. We sat down with them in their tiny garment district office/studio to try to figure out how they came together and made all this happen in such a short a mount of time.
Check for instructions or guidance on what to include. If you’re applying to a design program, they should give a good idea of what they want to see in your portfolio. If you’re designing a professional portfolio, you may not have explicit directions. Generally, you should include creative investigation, drawings that show your ability to translate 3D into 2D, color studies, and, if relevant, photos of 3D work that you’ve done.
In the fashion world, new designs are presented in the form of hand-drawn sketches before they’re actually cut and sewn. First you draw a croquis, the model-shaped figure that serves as the base of the sketch. The point is not to draw a realistic-looking figure, but a blank canvas of sorts on which to display illustrations of dresses, skirts, blouses, accessories and the rest of your creations. Adding color and details like ruffles, seams and buttons helps to bring your ideas to life.
Colour is a basic consideration in the fashion design process. In most cases color is the first element that is noticed about a design and has a huge impact in how that garment is perceived. Different forecasting companies research and develop new and existing colour palettes from many sources like yarn technologists, international fabric fairs, leather suppliers, trimming merchants etc. some fashion magazine give inspirational colour guideline for fashion design.