If you are presented with a figure whose body is hidden underneath a large dress, for instance, knowing the gestural form beneath it allows you to create poses that may not exist quickly and easily. Being able to move your figure around without having to directly copy from a photo or ask a model to make said pose means more flexibility when your client asks for a specific pose or concept.
Preparing the Reference Photograph 6m Drawing Our Vector Portrait in Illustrator 11m Shaping the Vector Portrait with Line Work 12m Establishing Line Work for the Hair 13m Adding Definition to Our Vector Portrait 11m Finalizing the Definition to Our Vector Portrait 8m Applying Dark Contours to Our Vector Portrait 10m Constructing the Model's Jacket 10m Implementing a Shine and Shadow Effect on the Jacket 12m Coloring the Model's Eyes, Hair, and Lips 8m Polishing the Illustration 9m Creating Splatters to the Illustration 9m Finishing the Splatters on the Illustration 9m Transforming the Splatters Using Texture Effects 10m Applying Mixed Media Elements to the Illustration 10m Adding the Tattoo and Scorpion Silhouette 9m Organizing Abstract Vector Shapes to Composition 10m
Textile patterns can also help coordinate various pieces when you match up a color or two from a print within other garments or accessories in a design. This is especially apparent when you’re illustrating a line of clothing and begin to notice how various pieces within a set, though not all worn together or by the same person, may call back to each other with the use of the same patterns or colors from a pattern.
After working for renowned fashion house Nino Cerruti, he branched out on his own, delivering his first women’s wear collection in 1974. Armani’s designs were always influenced by menswear, and his immaculate tailoring and cutting gave his pieces a timeless air. He is famous for his deconstructed jackets, which feature a softer shoulder and a longer line.
Giorgio Armani was born on July 11, in 1934, in Italy. Armani is an iconic and unique fashion designer. His popularity skyrocketed in America in the 1980s with his men’s ‘power suits’. Armani attracted an enviable fashion following in the 80s with the unstructured jackets and soft trousers in mineral hues. With more than three decades in the business, Armani has enjoyed a longevity as a designer experienced by few others.
Much like showing the texture, weight, and limits of movement within a textile, being able to render various objects so the viewer understands what they’re comprised of not only helps communicate concept design and storytelling within a fashion illustration, but also allows the viewer to better connect with what’s been drawn as being analogous to a real-world object or familiar material.
A new generation of illustrators has popped up over the past few years with the rise of blogging and social media, and many have those platforms to thank for their success in a field that has evolved significantly since its inception. Traditionally, a fashion illustrator might have found employment capturing runway looks in real time for a magazine or newspaper (because photographers weren't allowed), working at a design house, or perhaps creating a stylized illustration for a magazine cover or editorial (which still happens, though much less frequently).
In the City of Light, during the years from 1927 to 1940, Schiaparelli’s reputation for daring designs grew steadily. Soon, Parisians developed a passion for her unusual dresses, sweaters, and accessories. Her signature style always encompassed some whimsical elements, such as lobster motifs or skeleton ribs and bones (made with trapunto quilting); however, the construction of the garments themselves was often quite strict and tailored…this dichotomy made for original pieces that were often “knocked off” by other designers.
Every collection of this talented designer is doomed for success. His works can be unhesitatingly called masterpieces: he’s never afraid of expressing himself in the wackiest, the most sophisticated, out-of-this-world shapes and colors. Pierre Cardin is the inventor of the ‘bubble dress’. His works can be easily told from the others: Cardin’s models look like they’ve come out from the SCI-FI novels :).
Draw the balance line. This is a the first line of your sketch, and it represents your model’s center of gravity. Draw it from the top of the head to the tip of the toes, along the backbone of your croquis. Now draw an oval to represent the head. This is the base of your croquis, and from this, a proportional drawing can be made. You can think of the croquis as the skeleton of the model.
While as a medium it has been sidelined as old fashioned in comparison to the cutting edge that photography presented - made all the more thrilling by a Bailey-esque reputation for rebellion - in those days fashion illustration led the fashion press, inspiring new attitudes and breathing new life into past ones. In doing so it created a visual timeline of life since Vogue began. It never completely disappeared, but recently it has come back to explosive effect. Perhaps our first Vogue under editor Edward Enninful was such a marker in the sand of the new that it has generated a naturally concurrent upsurge in nostalgia; or perhaps, as technology erupts around us, we yearn for the quiet of a considered illustration, alive with the possibility of the artist's internal thoughts as much as with the potential of our own interpretation.
Fashion. Fashion is completely transparent. It’s fun, it’s confusing, and it never dies off. Fashions from the past are still being worn by women across the country and new fashions are being designed every day. There’s SO many different fashion styles, and we’ve come up with a list of the top 20 looks, from elegant to gothic, exotic to casual, and everything in between.