In the 60’s, Valentino made a decision that would enhance his reputation; he sent Jacqueline Kennedy, the American First Lady and fashion icon, a series of his pieces to look over. She was enchanted with his designs, and even chose to wear one of his dresses when she married her second husband, Greek shipping tycoon Aristotle Onassis: her influence led to greater fame and fortune in North America.
Fashion designing is the knack in which the relevance of design and instinctive exquisiteness to attire and embellishments. Fashion design is predisposed by edifying and societal autonomy and has speckled over time and place. Some fashion designers work unaided or as part of a panel. They endeavor to gratify client ardently desire because of the time is requisite to bring a garment onto the souk.
Yamamoto was born in Yokohama, Japan on October 3, 1943. He studied law at Keio University and graduated in 1966 with a law degree. He continued his studies on fashion design at the famous Bunkafukuso Gakuin, a fashion institute in Tokyo. Yamamoto blends the exotic and powerful designs of traditional Japanese dress with Western daywear, and achieves a unique, abstract style. He is an uncompromising, nontraditional designer. Yamamoto drapes and wraps the body in unstructured, loose, voluminous garments, similar in style and philosophy to those of Rei Kawakubo. Many of his clothes have additional flaps, pockets and straps.
A little trick i do for when i sketch clothes is not giving a lot of matter over the long of the girl in the sketch, actually a lot of designers draw really (REALLY) long women, mostly because it helps visualize their designs and also cause models are freaky tall …. but it help me with clothes :3 to focus on style, instead of focusing over anatomy. (draw long and short girls! it doesnt matter)
Most established illustrators have agents. Rodgers is represented by Digital Brand Architects, and Morrison is represented in Australia and Asia by Perrott of The Illustration Room. They are more responsible for prioritizing work and negotiating contracts than finding new jobs. Both Morrison and Rodgers say nearly all of their work comes through word of mouth and social media. “[Having an agent] helps a lot in terms of contracts and there’s legal terms that I don’t understand, but I don’t think you have to have it,” says Morrison. “I think it is better to have it once you’ve established yourself and you’ve grown a little bit on your own.”
Fashion designer Jimmy Choo was born in Penang, Malaysia in 1961. He used the craftsmanship he learned from his father, also a cobbler, to create some of the most coveted shoes in the world. Choo opened his first shop in Hackney in 1986 in an old hospital building. Within two years of opening his shop, Choo’s shoes were featured in an eight-page spread in Vogue magazine. Soon, Choo became the darling of the celebrity world, in particular Princess Diana, who donned Choo’s footwear seemingly everywhere she went. Jimmy Choo rose to fame for the quality and style of his handmade women’s shoes.
I love Valentino, Tom Ford, Mary Quant, Yohi Yamamato and Donna Karen. I pull from these guys a lot for my cosplay. No, that isn’t sacrilege. Cosplay cannot be ignored as far as a money making design market goes. Top designs have trickled into cosplay and cosplay has trickled into top designs. There is just no way around it. Nor should there be. 🙂
Textile patterns can also help coordinate various pieces when you match up a color or two from a print within other garments or accessories in a design. This is especially apparent when you’re illustrating a line of clothing and begin to notice how various pieces within a set, though not all worn together or by the same person, may call back to each other with the use of the same patterns or colors from a pattern.
In the past two years I have designed four dress collections (Time flies!). Each time I’ve shared a collection here we have received tons of requests for a how-to post about fashion sketching. I am self-taught (and still learning!), but I thought it would be fun to share a little bit about my process. I hope that some of you feel inspired to pull out your pens and pencils and notebooks today. Fashion sketching isn’t nearly as intimidating as I once thought it would be.
In the City of Light, during the years from 1927 to 1940, Schiaparelli’s reputation for daring designs grew steadily. Soon, Parisians developed a passion for her unusual dresses, sweaters, and accessories. Her signature style always encompassed some whimsical elements, such as lobster motifs or skeleton ribs and bones (made with trapunto quilting); however, the construction of the garments themselves was often quite strict and tailored…this dichotomy made for original pieces that were often “knocked off” by other designers.
Hubert de Givenchy was born to an aristocratic family in Beauvais, France, in the 20’s. After attending art school, he worked for several important fashion designers in Paris. He opened his own design house in 1952 and was immediately praised for his chic, feminine designs. He is known for his elegant haute couture designs and professional relationships with clients like Audrey Hepburn.
Make sure that these works incorporate a range of different types of styles or approaches to fabric and materials. You shouldn’t include more than two pieces from one style or approach. For example, maybe you have two pieces that showcase your ability to work with leather. You should also include one to two pieces that show off your ability to work with a different material, like silk or jersey. This will illustrate that you are able to work with several different materials and in several different styles.
There is two main goals of the sexy fashion style: gain the attention of every male around you and show as much skin as legally and humanly possible. Sexy style is all about showing off your *best* features, those being your breasts, stomach, and legs. A woman whose fashion style is set to sexy is usually loaded with plenty of miniskirts, body-con dresses, high heels, and crop tops or low cut tops.