Chanel led a long and fascinating life, which included some darker episodes, such as an affair with a Nazi officer during World War II. He used his influence to ensure that she could continue to live in comfort at the Hotel Ritz during the conflict. Many wondered why Chanel was not charged for collaborating when the war ended – it is believed (and very likely true) that friends in high places protected her from retribution. Coco Chanel died in Paris, at the Ritz, in 1971.
It’s not hard to point out a gal that wears the cowgirl fashion style! In this particular style, there’s a few staples that are an absolute must for the wardrobe: undoubtedly an adorable cowgirl hat, typically in either some shade of brown or pink, a pair of flared blue jeans with western themed leather belt, denim jacket to match, a pair of cowgirl boots, and a few white t-shirt and plaid button-ups.
Gather magazine clippings, images, bits of fabric, natural materials, or anything else that is relevant to your page. Sort through them to decide which items are essential and which items are optional. Take a few pieces of sturdy paper and play around with different arrangements. Once you have settled on an arrangement, glue or tape the pieces to the paper or papers to create a collage page. Note that it's probably best to do single-sided pages, so that you can move them around freely if necessary.
One of the world’s most successful fashion designers, Diane von Fürstenberg impressed the fashion world when she introduced her now-iconic “wrap dress” for the working woman in 1972. Elegance, ease, and accessibility have always been the core of her design philosophy, which has allowed her to turn DVF into a global luxury lifestyle brand. In 2005, she became the recipient of the CFDA’s Lifetime Achievement Award.
Meagan Morrison, the illustrator behind Travel Write Draw, on the other hand, got a business degree from McGill University in her native Canada and ended up working in fashion PR in Toronto, completely unaware that fashion illustration existed as a career. She later researched the field and enrolled in FIT’s fashion illustration associate degree program, which helped — but so did that business degree. “I don’t think you have to go back to school [if you want to become an illustrator]. For me, [FIT] was an amazing opportunity to come to New York and establish myself in the city,” she explains. In sum: Choose the educational path that’s right for you.
The top icon of fashion design, Elsa Schiaparelli was born on September 10, 1890, in Italy. After working at a boutique in New York, Schiaparelli moved to Paris, where she began designing her own clothes. Her work and sense of style shaped the look of fashion in the 1920s and ’30s, and her clothes were worn by some of the world’s most famous women, including American actress Greta Garbo. Schiaparelli died in Paris on November 13, 1973.
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Considered by many one of the greatest tailors of the century, Pierre Balmain was born in Saint Jean de Maurienne, France in 1914. After studying at the school of Architecture, in Paris he founded in 1945 the Maison Balmain as a couture house, with a lucrative sideline in fragrances. In that year he showed long, bellshaped skirts with small waists; a line that became popular in 1947 as part of Dior’s New Look.
Shortly thereafter, he began to work closely with Christian Dior, who was nearing the end of his life. Dior recognized the skill and creativity of his young protégé, and he chose him as his successor. When Dior died of a heart attack, Saint Laurent found himself holding the reins of one of France’s most venerable fashion houses: he was only 21 years of age.
Known as the prince of Prints, the fashion designer Emilio Pucci got known for his tight shantung “Pucci pants” and vividly printed silk dresses and blouses. His colorful, informal uniforms for Braniff flight attendants were groundbreaking. Later, Pucci branched into men’s fashions, perfume, and ceramics. He also served as a member of the Italian Parliament. His color trends and designs are one of KOKET’s most lovable inspirations.
A picture tells a thousand stories and considering the noise that surrounds the launch of every issue of Vogue - endless hashtags and chatter about the cover model, photographer and pose, it seems inconceivable that covers in the past featured fashion illustrations elaborating far more detailed stories. The romance of images by John Ward and Carl Erickson, surrealism of Dali and Benito, and art deco of Bernard Boutet de Monvel, Georges Barbier and Harriet Meserole spun tales of arctic explorers; tennis players; bridal marches; world travellers; golfers; race drivers, actresses, mothers and lovers. In the days before photography became fashion’s key documenter, fashion illustration was just as emotive and colourful - if not more so - as the images burned onto our retinas more recently by Penn, Bailey, Day, Meisel and Mert & Marcus. Call to mind the images created by Rene Gruau as Dior’s artistic director in 1947 - there is no doubt as to the part illustration used to play in fashion storytelling.
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Born on April 9, 1963 in New York City, Marc Jacobs suffered a lot with the death of his father at the age of 7. He would eventually move in with his grandmother and that made all the difference. Marc entered the Parsons School of Design and later position at Perry Ellis. Jacobs launched his own collection in 1986, started his own label and continued to impress the fashion world.
A most notable Indian-fashion-designer. He’s identified for his work in fashion-industry since 1987, and is another Bollywood-dearest. He got his degree from New York institute of fashion technology, and when came back, realized that there is a huge appeal of designer-wear in India, so he opted for being a dress-stylist and revolutionized the field of fashion in 1987, by opening his very first boutique in India with a name “Ensemble”. His own label is named as ”Ahilian” and in 1990, established his design studio “Tahiliani Design Studio” in New Delhi. This brand is well-known for artistic and perfect styles. His clothes are sold not only in India but also in London, New York, Tokyo, Dubai and Hong Kong.
The hats Roy Frowick created in his spare time became his entrée into the world of high fashion. After garnering some publicity for his designs in a Chicago newspaper, he was able to open his first boutique in 1957. Around this time, he dropped his first and last names, opting for a more glamorous moniker that has became synonymous with American glamour…Halston.
Valentino Garavani, better known as Valentino, was born in northern Italy in 1932. From childhood, he was interested in fashion, and he pursued apprenticeships and training from family and local designers. By his late teens, he was ready for Paris. His parents helped him to move there, and when he arrived, he began to study art and design in preparation for his chosen career.
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I can’t think of a more surreal experience than being in class at a fashion school, finding out your designs are on the cover of WWD, leaving class to go get a copy and coming back to your professor yelling at you. Exactly one year ago today, this happened to Alan Eckstein, one half of Timo Weiland. If that's not an indicator of good things to come for a brand new designer, I don't know what is. It seems like overnight, Timo Weiland and Alan Eckstein--two very young self-proclaimed "fashion geeks" with no technical training--grew a small line of neckwear into a successful full-fledged men's and women's clothing line that will show at Lincoln Center on Sunday. Also an integral part of the team, Donna Kang, the only one with a technical fashion background, is behind the scenes helping to make beautiful things happen. Together, they are unstoppable. We sat down with them in their tiny garment district office/studio to try to figure out how they came together and made all this happen in such a short a mount of time.
“Fashion illustration can’t be retouched and there is certainly an appeal in that,” says Brett Croft, head of the Vogue House archive. “There is definitely a younger generation of illustrator coming through,” he adds. “It’s to do with Edward of course, but it’s also part of a movement towards more simple artforms which was very obvious at Frieze this year. Last year was all about video and this year there seemed to be a reaction away from that. I think there is an appeal in the fact it can’t be hyper real. It just is what it is - there’s a simplicity to it that is refreshing.”