Meagan Morrison, the illustrator behind Travel Write Draw, on the other hand, got a business degree from McGill University in her native Canada and ended up working in fashion PR in Toronto, completely unaware that fashion illustration existed as a career. She later researched the field and enrolled in FIT’s fashion illustration associate degree program, which helped — but so did that business degree. “I don’t think you have to go back to school [if you want to become an illustrator]. For me, [FIT] was an amazing opportunity to come to New York and establish myself in the city,” she explains. In sum: Choose the educational path that’s right for you.
In the fashion industry, every fashion designer should follow fashion design development process to design a new dress. Fashion design mainly influenced by cultural and social attitudes, and it has varied over time, place and religion. Fashion designing knowledge is mainly comes from the theoretical background. Students are learned step by step fashion design development process from their institute. All of these information’s are very important for the beginner. When developing your designs for a new collection involves many components like inspiration, drawing, color, design functionality, technical package, garment patterns and so on.

“Luxury must be comfortable, otherwise it is not luxury.” No quote could be more appropriate from the woman who gave us the little black dress. Born August 19, 1883, in Saumur, France, Coco Chanel is famous for her timeless designs, trademark suits, and little black dresses. Chanel had a brief career as a singer before opening her first clothes shop in 1910. In the 1920s, she launched her first perfume and introduced the Chanel suit and the little black dress.
Giorgio Armani was born on July 11, in 1934, in Italy. Armani is an iconic and unique fashion designer. His popularity skyrocketed in America in the 1980s with his men’s ‘power suits’. Armani attracted an enviable fashion following in the 80s with the unstructured jackets and soft trousers in mineral hues. With more than three decades in the business, Armani has enjoyed a longevity as a designer experienced by few others.
As illustration has emerged as a tool for cutting through the visual noise of social media, it has itself benefitted from social media’s own disruption of the traditional barometers of quality. Just as David Bowie prophesied in his famous 1999 Newsnight interview that the internet would demystify the relationship between artist and audience, social media has “smashed down the gatekeepers”, says Downie, who doesn’t consider a picture finished until it’s given a “moment of birth” by being published on her Instagram account. “I cried when I saw that Bowie interview,” she says. “It’s so profoundly right, and it’s exactly what happened with my work.”
It’s not always apparent if you’re looking at a stylized fashion figure that the artist is at their best when working from anatomically correct proportions. Knowing how to correctly draw a body allows for a variety of freedom when drawing figures and correctly drawing clothing. So whether you’re drawing from photographic reference or from life, you’ll be prepared with knowledge of the shape and proportions of what may not be visible when drawing clothed figures.
India, a diverse nation though, has no typical or standard dressing style now a days. With the diversification of dressing-style, the style mavens have created a variety in dressing styles. Now people even wear shalwar qameez, sarees, churidars, kurtis, frocks, gowns, long shirts, trousers, jeans, capris, puffed sleeves, deep necks, in fact there is a fusion of western and eastern culture! In India fashion is put forward by the film-industry. In this day and age , Bollywood is considered a trend setter of Indian-fashion that revamp the top Bollywood celebrities. These mavens have not only fascinated Indian public but have also grabbed the attention of the world towards it.
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Born in January of 1905, this French designer was best known for his distinctive “New Look” silhouette. First shown in 1947; his suits and dresses revolutionized the way women dressed after the Second World War. Today, talented designer John Galliano carries on the legendary designer’s legacy in Paris, where he creates dramatic couture ball gowns, chic prêt-a-porter, and luxurious accessories for Dior. Galliano’s talent and his over-the-top runway shows have ensured that the brand remains strong and viable in today’s world…
Movement can also help the viewer understand what makes up the clothing you’re drawing or painting. We’ll discuss texture and weight within textiles more fully below, but understand that if a fabric is light and flowy or heavy and stiff, one of the best ways to show that is through how it moves when placed on a body or when the body itself is in motion. 
In my opinion, one of the most fun parts of fashion illustration is when an artist can show the weight and texture of a fabric within their drawing or painting. Whether they’ve taken the time to render corduroy or are skilled at showing the fabric’s weight through movement, I, as a viewer and artist, love to revel in these sorts of details. Instantly I understand the garment I’m seeing, and it’s far more tangible than everything being worn or shown looking the same.
If the artist has created a metallic dress and they mean for it to be made of metal versus just being gold or silver in color, they’ll need to really showcase the reflective properties of that material (as well as construct it within the limits of a metal object) so the viewer understands that it’s not just paint that’s making something look gold, but rather gold itself being depicted.
His interest in sewing and fashion started at an early age; as a young boy, he tailored clothes and created hats for his mother and sisters to wear. After graduating from high school, Frowick went to University in Indiana, but he lasted only one semester. Dropping out of University led him to a more creative life: he took night school courses at an art institute in Chicago and began to work as a window-dresser.
As illustration has emerged as a tool for cutting through the visual noise of social media, it has itself benefitted from social media’s own disruption of the traditional barometers of quality. Just as David Bowie prophesied in his famous 1999 Newsnight interview that the internet would demystify the relationship between artist and audience, social media has “smashed down the gatekeepers”, says Downie, who doesn’t consider a picture finished until it’s given a “moment of birth” by being published on her Instagram account. “I cried when I saw that Bowie interview,” she says. “It’s so profoundly right, and it’s exactly what happened with my work.”
Preparing the Reference Photograph 6m Drawing Our Vector Portrait in Illustrator 11m Shaping the Vector Portrait with Line Work 12m Establishing Line Work for the Hair 13m Adding Definition to Our Vector Portrait 11m Finalizing the Definition to Our Vector Portrait 8m Applying Dark Contours to Our Vector Portrait 10m Constructing the Model's Jacket 10m Implementing a Shine and Shadow Effect on the Jacket 12m Coloring the Model's Eyes, Hair, and Lips 8m Polishing the Illustration 9m Creating Splatters to the Illustration 9m Finishing the Splatters on the Illustration 9m Transforming the Splatters Using Texture Effects 10m Applying Mixed Media Elements to the Illustration 10m Adding the Tattoo and Scorpion Silhouette 9m Organizing Abstract Vector Shapes to Composition 10m
Add written supplements if required. Requirements vary widely, but depending on the program, you may need to include an essay or an artist statement. Usually, the program will supply its own guidelines for an essay. Artists' statements are less program-specific. An artist statement essentially summarizes your influences, direction, and creative inspiration in a paragraph or two. If you have never written an artist statement before, How to Write an Artist Statement is very helpful.
“The demand for fashion illustration has definitely increased recently, but I feel this is coinciding with an overall increase in interest in fashion by consumers,” says Katie Perrott, founder of The Illustration Room, a Sydney-based agency that exclusively represents illustrators. "The industry is so heavily saturated with photographs, everything is so digital nowadays," Katie Rodgers, who founded her blog Paper Fashion in 2009, adds. "I think hand-done work is very appealing to people, because it gives them a little break."
Klein received his education at the renowned Fashion Institute of Technology in NYC. His Calvin Klein underwear line, as well as his array of successful perfumes, helped him to build his empire. His ability to choose the sexiest, hippest stars for his ad campaigns also revealed his tremendous savvy and perceptiveness: celebs such as musician/actor Mark Wahlberg and supermodel Kate Moss also benefited from his uncanny ability to read the zeitgeist.

Like Halston, Calvin Klein epitomized disco glamour in the freewheeling late Seventies. His tight designer jeans, which clung to the sleek bodies of the greatest beauties of the day, including the young Brooke Shields, cemented his fame and made him millions of dollars. However, Calvin Klein’s reign continued well into the 80’s and 90’s – his spare, stripped-down designs offered a minimalist perspective that carried a very modern message. The use of sexuality in his ads was often a keystone of his success; his campaigns were designed to send overt messages and perhaps to shock. Today, his empire is still strong, despite some turbulence in the late nineties: his suits, dresses, and couture still offer a unique viewpoint.

Add written supplements if required. Requirements vary widely, but depending on the program, you may need to include an essay or an artist statement. Usually, the program will supply its own guidelines for an essay. Artists' statements are less program-specific. An artist statement essentially summarizes your influences, direction, and creative inspiration in a paragraph or two. If you have never written an artist statement before, How to Write an Artist Statement is very helpful.
“We love the body of a woman. Coco Chanel was wrong when she said that men were unable to design for women. Women know too much about women and they transpose their needs onto women’s clothes” The idea of women power and women shapes is as good to Dolce and Gabbana as it is for us. In 1985, their first collection was shown in Milan and built their themes on screen sirens, Sicilian widows and a rosary of Catholic kitsch. Dolce and Gabbana are arguably the most powerful and influential designers of our time.
Preparing the Reference Photograph 6m Drawing Our Vector Portrait in Illustrator 11m Shaping the Vector Portrait with Line Work 12m Establishing Line Work for the Hair 13m Adding Definition to Our Vector Portrait 11m Finalizing the Definition to Our Vector Portrait 8m Applying Dark Contours to Our Vector Portrait 10m Constructing the Model's Jacket 10m Implementing a Shine and Shadow Effect on the Jacket 12m Coloring the Model's Eyes, Hair, and Lips 8m Polishing the Illustration 9m Creating Splatters to the Illustration 9m Finishing the Splatters on the Illustration 9m Transforming the Splatters Using Texture Effects 10m Applying Mixed Media Elements to the Illustration 10m Adding the Tattoo and Scorpion Silhouette 9m Organizing Abstract Vector Shapes to Composition 10m
Born in August of 1883, Gabrielle Chanel was a French native who was destined to liberate women from the constraints of corsets and other uncomfortable garments. A true rebel and visionary, Chanel, who changed her name to Coco after a brief career as a singer, preferred to wear clothes she could move freely in; often, her style were imbued with a mannish aesthetic. Indeed, Coco Chanel, who designed her first cardigan to avoid pulling any garment over her head, was really the originator of modern women’s sportswear. Her desire for freedom and self-expression gave women style without sacrifice…
Español: preparar un portafolio de diseño de modas, Русский: подготовить портфолио модного дизайнера, Italiano: Preparare un Portfolio di Moda, Português: Criar um Portfólio de Moda com Estilo, Français: préparer un portfolio de créations de mode, Deutsch: Erstelle ein Modedesign Portfolio, Bahasa Indonesia: Mempersiapkan Portofolio Desain Mode, Nederlands: Een portfolio maken als modeontwerper
When you do stylize your figure, after having learned basic anatomy, you’ll want to do so in order to bring more focus to a particular element of design. For instance, fashion figures are often long-legged and much taller than the average human. In average human proportions, a figure is six to seven heads tall, whereas a fashion figure is eight or even nine heads tall, with most of that additional length being taken up in the legs. This is often used to bring the viewer’s attention to the length of a dress or give the artist more space in which to create folds, movement, or texture within the fabric itself.
The 66 years old diva, Donna Karan is one of the most influential fashion designers in the world. Her line of cloths was created for women to where when they are going to a cocktail party straight from work. Sleek and practical basics are mixed with glamorous and feminine pieces. To sum up, Donna Karan has left a lasting impact on the world of clothing, bringing uptown New York chic into the mainstream.

Range planning includes the creation of the ratio of garments to be selected in any given collection. For example, a basic range plan may be formed of four skirts, three trousers, six tops, two jackets and two dresses in three colour ways. Every collection needs a breakdown of units (garments) to enable the looks to be worn with enough combinations. If more volume sales come from tops it makes knowledge to supply more of these when editing the collection.

Preparing the Reference Photograph 6m Drawing Our Vector Portrait in Illustrator 11m Shaping the Vector Portrait with Line Work 12m Establishing Line Work for the Hair 13m Adding Definition to Our Vector Portrait 11m Finalizing the Definition to Our Vector Portrait 8m Applying Dark Contours to Our Vector Portrait 10m Constructing the Model's Jacket 10m Implementing a Shine and Shadow Effect on the Jacket 12m Coloring the Model's Eyes, Hair, and Lips 8m Polishing the Illustration 9m Creating Splatters to the Illustration 9m Finishing the Splatters on the Illustration 9m Transforming the Splatters Using Texture Effects 10m Applying Mixed Media Elements to the Illustration 10m Adding the Tattoo and Scorpion Silhouette 9m Organizing Abstract Vector Shapes to Composition 10m

I love Valentino, Tom Ford, Mary Quant, Yohi Yamamato and Donna Karen. I pull from these guys a lot for my cosplay. No, that isn’t sacrilege. Cosplay cannot be ignored as far as a money making design market goes. Top designs have trickled into cosplay and cosplay has trickled into top designs. There is just no way around it. Nor should there be. 🙂
Preparing the Reference Photograph 6m Drawing Our Vector Portrait in Illustrator 11m Shaping the Vector Portrait with Line Work 12m Establishing Line Work for the Hair 13m Adding Definition to Our Vector Portrait 11m Finalizing the Definition to Our Vector Portrait 8m Applying Dark Contours to Our Vector Portrait 10m Constructing the Model's Jacket 10m Implementing a Shine and Shadow Effect on the Jacket 12m Coloring the Model's Eyes, Hair, and Lips 8m Polishing the Illustration 9m Creating Splatters to the Illustration 9m Finishing the Splatters on the Illustration 9m Transforming the Splatters Using Texture Effects 10m Applying Mixed Media Elements to the Illustration 10m Adding the Tattoo and Scorpion Silhouette 9m Organizing Abstract Vector Shapes to Composition 10m
A picture tells a thousand stories and considering the noise that surrounds the launch of every issue of Vogue - endless hashtags and chatter about the cover model, photographer and pose, it seems inconceivable that covers in the past featured fashion illustrations elaborating far more detailed stories. The romance of images by John Ward and Carl Erickson, surrealism of Dali and Benito, and art deco of Bernard Boutet de Monvel, Georges Barbier and Harriet Meserole spun tales of arctic explorers; tennis players; bridal marches; world travellers; golfers; race drivers, actresses, mothers and lovers. In the days before photography became fashion’s key documenter, fashion illustration was just as emotive and colourful - if not more so - as the images burned onto our retinas more recently by Penn, Bailey, Day, Meisel and Mert & Marcus. Call to mind the images created by Rene Gruau as Dior’s artistic director in 1947 - there is no doubt as to the part illustration used to play in fashion storytelling.
Christian Lacroix directs his devotion and talent for fantasy and theatrics to create true design spectacles. Lacroix arrived in the 80s with the opening of his fashion house and immediately set the world on fire with unexpected mixes of colors and patterns. “The idea of seeing everybody clad the same is not really my cup of tea“. This is one of the best quotes of Lacroix, fighting for unique and irreverent pieces in the world of fashion.
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A static fashion figure can be alright to draw, but you’ll find that it’s often a boring piece. Unless you’re telling a story about the serenity of design, you’ll want your figure to move within the space you set it. When you pose a figure dynamically, you create action for the clothing, hair, accessories or whatever else you’re drawing. You’ll also instantly aid your storytelling within your illustration. Is a figure dancing, walking, or flying through your picture plane? Answer such questions with your drawing. Illustrations tell stories through imagery.
Every aspiring fashion designer will have to make a design portfolio at some point. But with so many pieces and so few guidelines, where do you even begin? It can be hard to get started, but once you know what admissions committees and hiring managers are looking for and how you want to organize your work, you'll be much better equipped to create your own amazing design portfolio.
“It’s changing, and it’s becoming a much more friendly industry for women particularly,” says Susannah Garrod, who studied fine art at Central Saint Martins and now counts Vogue, Jimmy Choo, Emilia Wickstead and Jessica McCormack as clients as well as contributing to the Fashion Illustration Gallery stable run by William Ling. “Instagram allowed me to record more personal, rather than client-based work - which in turn generated more work ... as a 'jobbing' illustrator it’s been rewarding to be commissioned for work in my own right rather than creating illustrations strictly dictated by the client. These days fashion illustration is appreciated by a more social savvy audience as an art form rather than a 'paint by numbers' necessity to record. People are looking for something different if they commission a fashion illustrator rather than a photographer - it’s no longer the 'poor relation' but an intimate way of interpreting fashion which stands the test of time as a commentary on the industry as a whole.”
Undoubtedly it's harder to project our own identity onto a famous supermodel draped across a staircase, or align one’s own reality with the digitally enhanced, perceived perfection of a fashion shoot. An illustration is more translatable - it allows for a different daydream. And in a world where reality is often all too stark, and fashion can be somewhat daunting, it's not surprising that our artistic tastes are erring on the side of a little escapism.
Automation (6) CAD (2) Calculation (1) Career (6) Clothing (11) Color (2) Color Fastness (1) Computer (4) Consumption (10) Costing (7) Cutting (5) Cutting Machine (3) Defects (13) Denim (9) Dyeing (12) Dyes and Chemicals (2) ERP (3) Fabric (2) Fashion (8) Fashion Accessories (11) Fashion Design (9) Fashion Industry (5) Fashion Merchandising (2) Fashion Trends (2) Fiber (8) Finishing Machine (3) Garment Accessories (9) Garment Finishing (14) Garment Industry (19) Garment Wash (8) Garments Production (22) GSM (2) IE (26) Inspection (9) Knitting (8) Knitting Machine (4) Loom (2) Marker (3) Mercerizing (1) Merchandising (15) Needle (1) Pattern (8) Planning (12) Pretreatment (5) Printing (10) Printing Machine (1) Quality Control (19) Sample (3) Seamless Garment (1) Sewing (12) Sewing Machine (6) Sewing Thread (2) Smart Textiles (1) Special Garments (1) Spinning (3) Tailoring (1) Technical Textile (7) Testing Machine (2) Textile Book (1) Textile Design (2) Textile Finishing (3) Textile Industry (8) Textile Recycling (1) Textile Testing (4) Top 10 (10) Undergarment (3) Visual Merchandising (6) Weaving (2) Wool (2) Yarn (9) Yarn Count (4)
When you do stylize your figure, after having learned basic anatomy, you’ll want to do so in order to bring more focus to a particular element of design. For instance, fashion figures are often long-legged and much taller than the average human. In average human proportions, a figure is six to seven heads tall, whereas a fashion figure is eight or even nine heads tall, with most of that additional length being taken up in the legs. This is often used to bring the viewer’s attention to the length of a dress or give the artist more space in which to create folds, movement, or texture within the fabric itself.

You should use high-quality, acid free paper. Use high-quality glue with a brush that you can apply to the edges of the collage pieces and attach to the paper. Try to avoid rippling of the collage pieces when you adhere them to the paper by using one finger to gently smooth out each piece. Keep your work area tidy so there are no glue trails or sloppy edges on the collage pieces. You want the collage pieces to look professional and clean.
this is so great. When I was younger, I used to fill notebooks with fashion designs of my own. I loved it and there was a time when I thought for sure that I would be a fashion designer. Then as I got older, I found love for SO MANY things that now I just create what I want. I have been thinking about fashion again lately though as my little girl now enjoys drawing outfits and coloring them.
To get attractive design, the feel, handle and texture of fabrics is most essential. Fashion is a visual medium; so touch becomes increasingly important to express luxury looks at the fashion market. Textile technologists have made great improvements in the sensual aspects of fabric like how it feels, looking and behaves, in addition to treatments that can affect the look and feel of garments after they are made, for example, washes and abrasions.
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