A picture tells a thousand stories and considering the noise that surrounds the launch of every issue of Vogue - endless hashtags and chatter about the cover model, photographer and pose, it seems inconceivable that covers in the past featured fashion illustrations elaborating far more detailed stories. The romance of images by John Ward and Carl Erickson, surrealism of Dali and Benito, and art deco of Bernard Boutet de Monvel, Georges Barbier and Harriet Meserole spun tales of arctic explorers; tennis players; bridal marches; world travellers; golfers; race drivers, actresses, mothers and lovers. In the days before photography became fashion’s key documenter, fashion illustration was just as emotive and colourful - if not more so - as the images burned onto our retinas more recently by Penn, Bailey, Day, Meisel and Mert & Marcus. Call to mind the images created by Rene Gruau as Dior’s artistic director in 1947 - there is no doubt as to the part illustration used to play in fashion storytelling.
Valentino Garavani, better known as Valentino, was born in northern Italy in 1932. From childhood, he was interested in fashion, and he pursued apprenticeships and training from family and local designers. By his late teens, he was ready for Paris. His parents helped him to move there, and when he arrived, he began to study art and design in preparation for his chosen career.
Preppy girls, often named simply ‘preps’, love to rock a college-inspired wardrobe. Their hangers are lined side to side with girly blouses with matching collared tees as well as a-line skirts and tights. Her hair is almost always amped up with a cute little headband and she usually wears glasses- whether she really needs to or not! This style may appear geeky and slightly luxurious, but the look itself is really not expensive and extravagant at all.