To get attractive design, the feel, handle and texture of fabrics is most essential. Fashion is a visual medium; so touch becomes increasingly important to express luxury looks at the fashion market. Textile technologists have made great improvements in the sensual aspects of fabric like how it feels, looking and behaves, in addition to treatments that can affect the look and feel of garments after they are made, for example, washes and abrasions.
Fashion design collection is a range of garments, accessories or products that are designed and produced for sale to retailers or direct to the customer. It is grouped by theme, colour or fabrication, creating a strong fashion statement. This range of items may be inspired by trends and theme. Cultural and social influences are reflecting on design. Designs are usually done for the special occasion or season. Collection is a grouping of outfits that are present for catwalk, online web pages. For the wholesale market, the collection will be shown at trade shows or in-house events. For the general customer designer give their collections on press or magazine by attractive photographs.
The balance line should be a straight vertical line, even if you want the model to pose in a leaning position. For example, if you want the the model to be posed with her hips tilted slightly to her left, draw a straight balance line in the middle of the page. You want this line to extend from the top of the model's head to the ground that she is standing on.
In the Seventies, Halston befriended (and dressed) members of the international jet set, including Bianca Jagger, Liza Minnelli, and Liz Taylor. Dressed in his trademark black turtleneck, he could often be found partying at Studio 54 and enjoying his success with a host of celebrity friends. Licensing deals made him very wealthy, but tragedy lay in the distance…drug addiction and an AIDS diagnosis in 1988 led to his downfall. Unable to cope with the demands of his career, he was fired from his own company…Halston died of AIDS-related complications in 1990.

Hair can also help in the composition or be a main focal point as well. In terms of composition, the movement of the hair can be just as important as the movement of a garment. You’ll notice in many of the images in this article that most of the hair depicted is long and often moves with the dresses drawn in the illustration. You may want to consider hair to be another piece of the illustrated puzzle when creating fashion illustrations.


The balance line should be a straight vertical line, even if you want the model to pose in a leaning position. For example, if you want the the model to be posed with her hips tilted slightly to her left, draw a straight balance line in the middle of the page. You want this line to extend from the top of the model's head to the ground that she is standing on.
There are many ways of drawing a skirt, such as sitting down, in the wind, standing, hanging, just as a skirt, etc. The number of wrinkles and amount of frills you want to add to the skirt matters too. An easy way to start is to look at the skirt drawing of others and then find your own style. For some ideas and illustrated examples, see further: How to Draw a Skirt.
Intelligent and pragmatic, Chanel used her powers of seduction to gain a foothold in the competitive fashion world; in succession, she became the mistress of two powerful and wealthy men. Both of her lovers were quite happy to use their money and influence to give her a start in business. From a beginning as a milliner, she rose to prominence in 1920, when her signature fragrance, the incredibly iconic Chanel No. 5, was launched.
Known for balancing modern designs with traditional elegance, Vera Wang is arguably the most prominent designer of bridal wear in America. Wang introduced her first bridal collection in 1990 after fifteen years editing at Vogue and a two designing for Ralph Lauren. After spending more than a decade dressing countless stars for weddings and red carpets in her ultra-elegant, custom-made gowns (even publishing a book in 2001, “Vera Wang on Weddings”), it was a natural progression for Wang to introduce ready-to-wear in 2004.
Consider making flats. In addition to making a fashion illustration, you may want to create a flat schematic. This is an illustration of your clothing design that shows the flat outline of the garment, as though it were laid out on a flat surface. It's helpful for people viewing the design to see the flat version as well as the way it would look modeled on a body.[4]
Thanks for sharing Elsie! I actually just decided that creating a template and photocopying it to draw overtop of is the best technique for me and I put one up for free download http://bittysbitz.blogspot.ca/2013/01/free-croquis-template.html . It lets you spend more time on the sillouhette and details of the garment instead of the body, and as long as you print it in gray or something light, you will hardly even notice it underneath.
Ling agrees. “Illustration has always been outside the contemporary art structure,” he says. “Some call it second rate and of course there is validity to that in some cases - but the art industry has long been a construct of vested interests so talent hasn’t always necessarily been able to get through. Now Instagram is democratising art, but it's also populist - and in that context people have had careers they wouldn't have otherwise had. But there is no doubt it’s working for the audience - people are certainly buying more and illustrators tend to work with designers on collaborations which photographers rarely do. There’s just an additional collectible appeal.”
We toyed with it on Vogue.co.uk during my decade as editor of the site from 2005 to 2015, with a shoppable version of the Fashion Illustrated Gallery (founded by William Ling; stocking the work of all the prominent modern illustrators including Downton and Ling’s wife Tanya), running alongside an illustrated blog by Downton himself written from the Fumoir - but it didn’t get huge traction. In contrast, today illustration generates great engagement, even recently making it into the realms of the still-controversial space of branded content with a campaign of illustrated fashion fairytales that ran across Vogue, GQ and Tatler which surpassed all commercial targets for a month-long campaign within the first 24 hours.
Español: dibujar figurines de moda, Português: Desenhar Croquis de Moda, Italiano: Disegnare un Figurino di Moda, Русский: рисовать модные эскизы, Deutsch: Eine Modezeichnung entwerfen, 中文: 画时装草图, Français: dessiner des croquis de mode, Bahasa Indonesia: Menggambar Sketsa Mode, Čeština: Jak kreslit módní návrhy, Nederlands: Modetekeningen maken, العربية: الرسم التخطيطي للأزياء, हिन्दी: फैशन स्केचेज़ (fashion sketches) ड्रा करें, 日本語: デザイン画を描く
Ling agrees. “Illustration has always been outside the contemporary art structure,” he says. “Some call it second rate and of course there is validity to that in some cases - but the art industry has long been a construct of vested interests so talent hasn’t always necessarily been able to get through. Now Instagram is democratising art, but it's also populist - and in that context people have had careers they wouldn't have otherwise had. But there is no doubt it’s working for the audience - people are certainly buying more and illustrators tend to work with designers on collaborations which photographers rarely do. There’s just an additional collectible appeal.”
The 70s fashion style can also easily be referred to as the ‘hippie’ look, where women leave their hair long and straight and add an adorable little flower or stem of flowers to create a natural finish. Their wardrobe will undoubtedly have the classic super-flared jeans and tons of tie-dye tops and accessories, as well as simple white tees to go with their look. Floral patterns are also common in this fashion style and makeup is minimal to maintain a simple and natural appearance.
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