Most established illustrators have agents. Rodgers is represented by Digital Brand Architects, and Morrison is represented in Australia and Asia by Perrott of The Illustration Room. They are more responsible for prioritizing work and negotiating contracts than finding new jobs. Both Morrison and Rodgers say nearly all of their work comes through word of mouth and social media. “[Having an agent] helps a lot in terms of contracts and there’s legal terms that I don’t understand, but I don’t think you have to have it,” says Morrison. “I think it is better to have it once you’ve established yourself and you’ve grown a little bit on your own.”

While as a medium it has been sidelined as old fashioned in comparison to the cutting edge that photography presented - made all the more thrilling by a Bailey-esque reputation for rebellion - in those days fashion illustration led the fashion press, inspiring new attitudes and breathing new life into past ones. In doing so it created a visual timeline of life since Vogue began. It never completely disappeared, but recently it has come back to explosive effect. Perhaps our first Vogue under editor Edward Enninful was such a marker in the sand of the new that it has generated a naturally concurrent upsurge in nostalgia; or perhaps, as technology erupts around us, we yearn for the quiet of a considered illustration, alive with the possibility of the artist's internal thoughts as much as with the potential of our own interpretation.
Collage loose supplemental items together and glue them onto good paper. Often your investigative pieces, like interesting textures or structures, will involve a lot of small samples and clippings. Ideally, the person who reviews your portfolio should just be able to flip through it, so collage all of the smaller pieces on letter-sized sheets of paper to make them more readily accessible. Group items by type, or arrange them in a way that makes sense. Provide labels like "color work" or "experimental glazing methods" as needed, and add small explanatory lines or paragraphs if it is necessary for you to show the reader what you were doing.
A static fashion figure can be alright to draw, but you’ll find that it’s often a boring piece. Unless you’re telling a story about the serenity of design, you’ll want your figure to move within the space you set it. When you pose a figure dynamically, you create action for the clothing, hair, accessories or whatever else you’re drawing. You’ll also instantly aid your storytelling within your illustration. Is a figure dancing, walking, or flying through your picture plane? Answer such questions with your drawing. Illustrations tell stories through imagery.
Every collection of this talented designer is doomed for success. His works can be unhesitatingly called masterpieces: he’s never afraid of expressing himself in the wackiest, the most sophisticated, out-of-this-world shapes and colors. Pierre Cardin is the inventor of the ‘bubble dress’. His works can be easily told from the others: Cardin’s models look like they’ve come out from the SCI-FI novels :).
Every aspiring fashion designer will have to make a design portfolio at some point. But with so many pieces and so few guidelines, where do you even begin? It can be hard to get started, but once you know what admissions committees and hiring managers are looking for and how you want to organize your work, you'll be much better equipped to create your own amazing design portfolio.

You don't have to know how to draw to be a fashion designer. Something that you can do is look at different books on how to draw, so that you can do simple sketches of your designs. Also, the more you practice drawing, the better you will become. If you are going to go to college for fashion, then there will be classes that can teach you draw and sketch.

Born on April 9, 1963 in New York City, Marc Jacobs suffered a lot with the death of his father at the age of 7. He would eventually move in with his grandmother and that made all the difference. Marc entered the Parsons School of Design and later position at Perry Ellis. Jacobs launched his own collection in 1986, started his own label and continued to impress the fashion world.


I love Valentino, Tom Ford, Mary Quant, Yohi Yamamato and Donna Karen. I pull from these guys a lot for my cosplay. No, that isn’t sacrilege. Cosplay cannot be ignored as far as a money making design market goes. Top designs have trickled into cosplay and cosplay has trickled into top designs. There is just no way around it. Nor should there be. 🙂

Illustrate patterns and prints. If your design includes a patterned or printed fabric, it's important to accurately illustrate how it will look on a model. Start by drawing the outline of the patterned garment, such as a skirt or blouse. Divide it into a grid with different sections. Fill in the sections one at a time with the pattern on the fabric.
Son of Russian working class immigrants, Ralph Lauren has transformed himself into the sophisticated billionaire. His classic and preppy designs all draw upon an image of old world wealth and luxury, and he pioneered the concept of clothes as part of a lifestyle environment. Lauren worked in retail before developing a line of neckties. The brand he established, Polo, is now one part of an empire that includes fragrances, home furnishings and luxury clothing. Today, his five billion dollar business includes several clothing lines as well as perfumes, house ware, furniture and paint.
In this stage fabric properties like its weight, tenacity, and construction are determined. Now-a-days fabrics are becoming smarter. For the textile development there are new terms are used such as, high performances, technical, intelligent and smart fabric. Some designers select these kinds of fabrics to show their creativity and present it on fashion show.
Add written supplements if required. Requirements vary widely, but depending on the program, you may need to include an essay or an artist statement. Usually, the program will supply its own guidelines for an essay. Artists' statements are less program-specific. An artist statement essentially summarizes your influences, direction, and creative inspiration in a paragraph or two. If you have never written an artist statement before, How to Write an Artist Statement is very helpful.
Inquiring for my daughter. Where is the best Fashion Merchandise Marketing school in Sacramento and San Francisco area? Whenever I goggle these schools, some say Institute of Art in Sacramento, and some say FIDM, and others. I’m so confused I have no idea, which is the best college for my money. I have decided to go to American River College to get my Associates, and then I have no idea where to continue my fashion degree.

In the fashion industry, every fashion designer should follow fashion design development process to design a new dress. Fashion design mainly influenced by cultural and social attitudes, and it has varied over time, place and religion. Fashion designing knowledge is mainly comes from the theoretical background. Students are learned step by step fashion design development process from their institute. All of these information’s are very important for the beginner. When developing your designs for a new collection involves many components like inspiration, drawing, color, design functionality, technical package, garment patterns and so on.


Much like showing the texture, weight, and limits of movement within a textile, being able to render various objects so the viewer understands what they’re comprised of not only helps communicate concept design and storytelling within a fashion illustration, but also allows the viewer to better connect with what’s been drawn as being analogous to a real-world object or familiar material.
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Known for balancing modern designs with traditional elegance, Vera Wang is arguably the most prominent designer of bridal wear in America. Wang introduced her first bridal collection in 1990 after fifteen years editing at Vogue and a two designing for Ralph Lauren. After spending more than a decade dressing countless stars for weddings and red carpets in her ultra-elegant, custom-made gowns (even publishing a book in 2001, “Vera Wang on Weddings”), it was a natural progression for Wang to introduce ready-to-wear in 2004.
When all of the designs are completed and set out the financial parameters then range planning is required. A range plan is an overview of your total design collection like from how many styles you will have, to what fabrics and colour ways will be used. It is used before you start into large scale production. It is extremely useful for you to follow as a designer. But most importantly it gives buyers a clear conception of your vision.
In my opinion, one of the most fun parts of fashion illustration is when an artist can show the weight and texture of a fabric within their drawing or painting. Whether they’ve taken the time to render corduroy or are skilled at showing the fabric’s weight through movement, I, as a viewer and artist, love to revel in these sorts of details. Instantly I understand the garment I’m seeing, and it’s far more tangible than everything being worn or shown looking the same.
Mood board is the summary of your design collections. Put everything together like fabric, trims and also express emotions and mood on your mood board in a way that’s not just beautiful but fascinating. Remember that, your mood board is a selling tool for your ideas, so make it exciting! Mainly it’s a design tool that will help you to stay focused and consistent as your line develops. Generally it is prepare for the communication purposes and explaining your vision to others like retailers, media etc.. It is also use for creating a range or a collection.
Giorgio Armani was born on July 11, in 1934, in Italy. Armani is an iconic and unique fashion designer. His popularity skyrocketed in America in the 1980s with his men’s ‘power suits’. Armani attracted an enviable fashion following in the 80s with the unstructured jackets and soft trousers in mineral hues. With more than three decades in the business, Armani has enjoyed a longevity as a designer experienced by few others.

It was through Instagram that Walton landed her first commission — paying $500 (a pretty low fee if you’re an established illustrator), which she couldn’t believe. “It was like, oh my god, they want to give me $500 for something I do in my free time?” Later on, she got an email from the creative director of InStyle, Rina Stone. It turned out an editor had shown Stone Walton’s Instagram, and Walton ended up creating artwork for an 18-page spread in the magazine. “If you have a skill and you just try and put it out there, it’s amazing how you could really reach anybody now.”

Women who enjoy the artsy style tend to stay away from the traditional ‘trends’ of the fashion world and love to make a statement with their clothing. Oftentimes they will be the creator of their own fashions, designing and creating their own blouses, hats, and jackets. Each artsy style will be different per woman, as everyone has their own idea of what ‘art’ truly is. That’s what makes this particular fashion style so unconventional and interesting.
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