Another important factor to consider when pursuing a career in fashion illustration is stability. Like any freelancing situation, there can be lulls and bursts of work with unpredictable pay days. Walton ultimately eschewed the uncertainty of a full-time illustration career, and joined The Sartorialist as fashion director last fall. "You can make a career out of [illustration], but you really have to hustle. That’s the nature of freelance, you never really know." 
In this stage fabric properties like its weight, tenacity, and construction are determined. Now-a-days fabrics are becoming smarter. For the textile development there are new terms are used such as, high performances, technical, intelligent and smart fabric. Some designers select these kinds of fabrics to show their creativity and present it on fashion show.
Ralph  joined the fashion industry as a tie seller. He tried to introduce his own tie designs for the company, but his enthusiasm wasn’t perceived well. So, he left the company and launched his own mini-business: he sewed his first ties out of rags and distributed them to small shops. The most defining order of 100 dozens of ties by Neiman Marcus has radically changed Ralph’s life. He expanded his business by introducing menswear and womenswear lines. Currently his brand is worth $7.5 billion. Ralph Lauren’s success story inspires many novice designers. The first Polo logo was introduced in 1970.

Known as the champion of star-spangled glamour, Tommy Hilfieger‘s favorite trends go from red, white and blue. Since introducing his first collection in 1985, no designer has become more closely associated with Ivy League prep than Tommy Hilfiger. After building his company on the modernization of all-American men’s wear, and winning the CFDA Menswear Designer of the Year award in 1995, Hilfiger introduced women’s wear in 1996 and sold the company for $1.6 billion ten years later.

It was through Instagram that Walton landed her first commission — paying $500 (a pretty low fee if you’re an established illustrator), which she couldn’t believe. “It was like, oh my god, they want to give me $500 for something I do in my free time?” Later on, she got an email from the creative director of InStyle, Rina Stone. It turned out an editor had shown Stone Walton’s Instagram, and Walton ended up creating artwork for an 18-page spread in the magazine. “If you have a skill and you just try and put it out there, it’s amazing how you could really reach anybody now.”


Thanks for sharing Elsie! I actually just decided that creating a template and photocopying it to draw overtop of is the best technique for me and I put one up for free download http://bittysbitz.blogspot.ca/2013/01/free-croquis-template.html . It lets you spend more time on the sillouhette and details of the garment instead of the body, and as long as you print it in gray or something light, you will hardly even notice it underneath.
Ottavio Missoni started their own fashion design company with his wife Rosita. First they started with stripes, the easiest design which could be made with the ch. They use up to twenty different fabrics, including wool, cotton, linen, rayon and silk and some 40 different colours for each of their collections. Their clothes range from sweaters to skirts, dresses and jackets. Ottavio Missoni has also diversified from clothes to tapestries and carpets. Ottavio died last year leaving Rosita being the head of the business.
Most established illustrators have agents. Rodgers is represented by Digital Brand Architects, and Morrison is represented in Australia and Asia by Perrott of The Illustration Room. They are more responsible for prioritizing work and negotiating contracts than finding new jobs. Both Morrison and Rodgers say nearly all of their work comes through word of mouth and social media. “[Having an agent] helps a lot in terms of contracts and there’s legal terms that I don’t understand, but I don’t think you have to have it,” says Morrison. “I think it is better to have it once you’ve established yourself and you’ve grown a little bit on your own.”

In this stage only experience person who can help to improve decision making. It is really depends on whether the unfolding of a range or collection fulfils the original need or philosophy. Decisions on research, colour, design development, fabrication, silhouette, proportion, construction, prototyping and embellishment all contribute to a well considered range.


Ling agrees. “Illustration has always been outside the contemporary art structure,” he says. “Some call it second rate and of course there is validity to that in some cases - but the art industry has long been a construct of vested interests so talent hasn’t always necessarily been able to get through. Now Instagram is democratising art, but it's also populist - and in that context people have had careers they wouldn't have otherwise had. But there is no doubt it’s working for the audience - people are certainly buying more and illustrators tend to work with designers on collaborations which photographers rarely do. There’s just an additional collectible appeal.”
Consider, for accessory-only pieces, what sort of information you’d like the viewer to understand without seeing an associated figure. For instance, if you’re only drawing shoes and a handbag, coordinating the two based on material or design may tell a story of a well put together person. Or a pair of sneakers and a backpack would tell the story of a student or young person.
Born in Rome in 1890 to an aristocratic mother and an intellectual father, Schiaparelli soon rebelled against the conventional life of the upper classes. Her desire for exploration and experimentation landed her in hot water as a teen, when she published a book of poems with decidedly sensual overtones. Her work deeply offended her parents, who punished her by placing her in a convent. Schiaparelli was so determined to escape from the nunnery that she initiated a hunger strike which resulted in her release. By her early twenties she had fled to London, where she could live under less scrutiny. Later, during a foray in New York, she joined with artist friends and they all made their way to Paris…

Every collection of this talented designer is doomed for success. His works can be unhesitatingly called masterpieces: he’s never afraid of expressing himself in the wackiest, the most sophisticated, out-of-this-world shapes and colors. Pierre Cardin is the inventor of the ‘bubble dress’. His works can be easily told from the others: Cardin’s models look like they’ve come out from the SCI-FI novels :).


A girly fashion style can most easily be described as the popular vintage style. Most of her outfits consist of plenty of beautiful lace as well as ruffles, hearts, flowers, and pale colors, especially pink and white. She’s a romantic at heart and wants to be treated like a lady at all times. She’s awaiting her prince charming and thus, adorns herself with only the girliest and most lovely fashions.
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