If there could be such a thing as Big Dress Energy, the A/W 19 runways were absolutely chock-full of it. Avant garde eveningwear has become a focus for many brands, both those known for their elaborate after-dark looks (say, Rodarte) and those who are usually more casual (Y/Project). It's all about volume, drama, embellishment, rich colours, and as much satin and tulle as you can get your hands on. Sure, the hyped-up and hugely Instagrammable frilled dress explosions created by Tomo Koizumo won't literally slide effortlessly into your wardrobe, but the mantra of more is more will definitely influence the party season.
Over in London, things were distinctly more aggressive: Punk and themes of dissonance could be felt strongly (Brexit, much?), with plenty of tartan, more safety pins than even Johnny Rotten could handle and Vivienne Westwood staging an entire protest about climate change for her show. The strong mood could clearly be felt over the Channel, too, as British designer Sarah Burton's vision for Alexander McQueen this coming season established the poshest and most brilliantly executed iteration on punk we've seen in a long, long time. And talking of being combative, if you don't pick up on the "army" theme of many of the season's biggest shows (Bottega Veneta, Chloé, Miu Miu) and end up buying a pair of combat boots, I'll eat my bucket hat.
Edited's data plays into the trend too. The analysts saw a rise in ultra-feminine themes with floral patterns being particularly key. Out of the total floral-print offering, 40% of the items were dresses in both the UK and the U.S. Some of our personal favourites? Paco Rabanne (especially when paired with a cute cardigan), Prada (so many different, weird and wonderful takes on a very classic idea) and Richard Quinn (literally every editor cried at his show because the jaw-dropping dresses combined with live music from Freya Ridings was just too much beauty to handle).
These boys Abu-Jani and Sandeep Khosla, as a duo are legendary in the fashion-circuit and earned success, hype, fame and attention. They were the first and the foremost to exhibit their work at Harrods, the UK luxury store. Though they lack in pro training, yet their designs are exclusive, distinctive and remarkable. All the time, they travel to the distant and remote areas in quest of the hidden-styles that are yet to be exposed. This creative coalition exudes talent and attitude!
Stella McCartney went fresh from graduation at Central Saint Martins to chief designer at Chloé in 1997. Le Style Stella – a raunchy mix of rock ‘n’ roll and girly glamour – established Chloé as the best selling label in Paris and its designer as a card-carrying member of the fashion aristocracy. In 2000, McCartney left Chloé and signed a deal with the Gucci Group to launch her successful signature label.
Ready-to-wear, or prêt-à-porter, clothes are a cross between haute couture and mass market. They are not made for individual customers, but great care is taken in the choice and cut of the fabric. Clothes are made in small quantities to guarantee exclusivity, so they are rather expensive. Ready-to-wear collections are usually presented by fashion houses each season during a period known as Fashion Week. This takes place on a citywide basis and occurs twice a year. The main seasons of Fashion Week include: spring/summer, fall/winter, resort, swim, and bridal.