Colors for city folk were a bit on the drab side: black, navy, grey, tan, and olive green. Country folk and seaside dwellers liked color: white in summer, yellow, red, blue, and light grey year round. The difference between city and country clothing in Europe was far more pronounced than in America. Americans loved to disobey fashion “rules” and wore whatever color they personally liked. Learn more about daytime 20s dresses here or shop daytime appropriate dresses online.
A girly fashion style can most easily be described as the popular vintage style. Most of her outfits consist of plenty of beautiful lace as well as ruffles, hearts, flowers, and pale colors, especially pink and white. She’s a romantic at heart and wants to be treated like a lady at all times. She’s awaiting her prince charming and thus, adorns herself with only the girliest and most lovely fashions.
It wasn’t until towards the end of the Edwardian period that things started to change again, towards more liberal attitudes once more. The First World War had seen women take a far more prominent role with driving, land work and machine operative jobs being taken over by women, while the men were at war. This gave women a new confidence, they smoked, they drank and they drove cars. They were different women to the ones they’d been before the war.
So embrace the the roaring Twenties and the liberation of movement that it brought – bring out your hats, your buckles and bows and rhinestones. The straight shift dress can still make such a dramatic statement. Either vintage or homemade, if it’s plain then depending on how good with a sewing machine you are, embellish with rhinestones and fringes.
"Getting exposure is not always easy, we are in a competitive industry, so you should build up a solid web presence. I consider having a clean, eye candy and updated professional life online is very important to get your work seen: website, blog, social networks, specialized sites such as Behance, or maybe a newsletter. I found Instagram the best social tool for fashion illustrators" — Cristina Alonso
While women’s hats varied greatly in style, men’s hats were the opposite. For the most part, men wore black, blue or some shade of brown. Their hats were typically made of felt and were the same collegiate style you see in every 1920s period movie you’ve ever seen. If it wasn’t a fedora-style hat, then it was a wool, snap-front newsboy hat. This lack of variety makes sense; it was not common for men at the time to be wildly flamboyant.
This season, street style stars let their animal instincts take over with bold and wild prints. In particular, loud leopard print was a favourite amongst the fashionistas and appeared on a variety of garments, including pants, coats, dresses, suits, and more. To follow the lead of these chic ladies and unleash your own inner jungle cat, choose strong and striking designs with bold and bright colours. Alternatively, consider an all-over leopard print look with matching separates or a dress/jumpsuit. You can even add a leopard print bag or shoes if you’re feeling playful.
Fashion illustrators, also known as fashion design artists, are specialized illustrators who focus on expressing fashion designs and ideas through art. They must be familiar with computer design software and usually hold bachelor's degrees in graphic design or a relevant field. Fashion illustrators can work for many types of employers, including publications and fashion manufacturers. Many are freelancers and work on contract.
Musicians and college kids often wore wide striped blazers over white pants as a summer outfit. This look was popularized by Barber Shop quartet singers, ragtime pianists, and traveling salesmen (aka The Music Man.) Some costumes skip the blazer and wear a striped vest, bow tie and armbands/sleeve garters instead. A straw boater hat completes the festive summer outfit.
Queen of pearls Anita, pictured below right with actresses Joan Crawford and Dorothy Sebastian for the film Our Dancing Daughters, reportedly received 35,000 fan letters in a week during her heyday. Remember folks, these were the times when fan-girls didn’t have Twitter or emojis to express their love for a star, so these were physical, hand-written notes of adoration. Amazing, right?
This entry was posted on April 2, 2013 at 9:36 pm and is filed under Make Up - Savage Beauty, Savage Beauty Photography with tags 1920's Fashion, Amanda Martinez, Independent Kostym, Mattias Savage Wilmenius graphics, Min Boudoir, Savage Beauty Make Up, Savage Beauty Photography, Tallee Savage Photography, Tifa Högberg, Vintage fashion. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
Everything about Tami Reed is fascinating. Her personality, aura, wit and humor, fashion sense and everything else that caught the attention of big brands in no time. She had a substantial social media presence even before she turned into a fashion blogger. Tami wanted to do something concrete, and that’s how it all started. From being a red-carpet consultant to an entrepreneur, Tami Reed is a go-getter! For more inspiration and to stay updated with everything big happening in Hollywood or otherwise when it comes to fashion, check her blog.
Eyes: A dark and dramatic look, with black smeared eyeliner liberally and heavily applied, topped with dark grey, green or turquoise eyeshadow to get the “smokey eyes” look. Emphasis lay in the middle of the eye to get a perfect round shape. White or off-white eyeliner inside the eye to enlarge optimally. Lots and lots of mascara! In those days mascara came in a block form and needed to be heated up and applied with a stick or wand. False eyelashes were popular!
Silent film actress Colleen Moore basically invented the bob. Women around the world copied the black block cut that she and a few other early adopting actresses made popular, making her one of the greatest beauty influencers of all time – although 1960s fashion would see an even shorter popular style in the pixie crop. She’s pretty much the reason so many of us opt for bob hairstyles today. Colleen loved her bob so much, in fact, that she kept that haircut until the day she died in 1988. Talk about a signature style…
The fashion year 1960 was in transition from the conservative fifties to the youth-oriented swinging sixties. The full-skirted swing dress was still the main wardrobe staple for women with the pencil-shaped dress gaining more popularity, especially with an ever shorting hemline. It was in the casual dress that the new youthful silhouette was emerging. More … Read More about 1960s Fashion by Year | Mens and Womens Clothing
Chanel was really in her element here, and this is when she invented the ‘Little Black Dress”. Another 20’s couturier of note is Madeline Vionnet, who designed clothes to accentuate and celebrate the natural line of a woman’s body. Her bias cut designs caused silk to fall in a new way, clinging and draping in all the right places. They were supremely elegant.
Danielle Bernstein’s ‘We Wore What’ has an interesting approach that focuses on style, fashion, and just that. You’d realize that her posts are often full angle shots, with barely close angle pictures, because she is someone who believes that she loves fashion, so everything else can take a backseat. She wants her followers to focus on her outfits, and we think it brings an excellent perspective to the table. With over a million followers that get a dose of her everyday outfits, she is an unstoppable force.
Farmers, steel workers, miners and railroad men all had a distinctive uniform or dress code. For a general manual labor position, sturdy denim and canvas overalls or coveralls with a plaid wool work shirt and tough leather boots was the standard dress. In cooler weather, a rain or oil slicker and fur-lined coat protected men from the elements. Manual labor was very hard. Progress was made for better labor conditions in the 1920s and more time off (yea weekends!), but the work itself was extremely difficult and not very lucrative. Work clothing took quite a beating and needed to be mended and replaced frequently.
The first world war was over in Britain in 1918 – of course its immediate effects were going to be felt well into the 1920s, as well as resonating through the entire lives of those who lived through it. During the war women had been catapulted from their roles as almost hidden “domestic angels” into public life and a much wider range of jobs than they had ever had before. This required a wide range of outfits of a comfortable and practical nature that they weren’t about to relinquish.
We toyed with it on Vogue.co.uk during my decade as editor of the site from 2005 to 2015, with a shoppable version of the Fashion Illustrated Gallery (founded by William Ling; stocking the work of all the prominent modern illustrators including Downton and Ling’s wife Tanya), running alongside an illustrated blog by Downton himself written from the Fumoir - but it didn’t get huge traction. In contrast, today illustration generates great engagement, even recently making it into the realms of the still-controversial space of branded content with a campaign of illustrated fashion fairytales that ran across Vogue, GQ and Tatler which surpassed all commercial targets for a month-long campaign within the first 24 hours.
Basically for the ones who do not want to be dressed like a woman. They do not abide by the usual norms of what a woman should wear. To put it lightly, they prefer black over pink. Most of their clothing are a bit baggy and focuses more on graphic T-Shirts and Shirts from the boy’s selection. They do not prefer light colors and frills or laces. It can ask so be described as simple and modern. A boyish look is what they prefer over the classy, elegant looks.
"Editorial jobs are the most exciting and challenging for me. The deadlines are very tight, and the subject matter tends to skew conceptual. Book jobs are rewarding but slow-burns. They require a lot of patience! Advertising campaigns are sometimes the most limiting because there can be a lot of red tape around a company's branding guidelines." — Bee Johnson, illustrator
Although bodies may have seemed slimmer during the 1920s era, this was an illusion as most women dressed to flatten their bodies – the kind of underwear we wear today was unheard of in the twenties. The corselette offered a whole new way of shaping the body, and unlike the corsets that had gone before, in the Edwardian period, the corselette didn’t press the waist in or lift the bust, but flattened the chest and held in the hips.
The 20’s was a dynamic decade and in fashion trends we find a range of contemporary currents and expressions reflected; everything from jazz and Art Deco to archaeological finds in the Orient and above all – social change. Particularly women’s fashion underwent drastic changes as garments were now designed to allow their bodies to move freely, drive vehicles, play sports or dance the night away. The ideal figure turned straight, with no emphasis on either bust, waist or hips and the extreme figure shaping corsets were finally abandoned. Skirts exposed more of the legs than ever before – for a short period even the knee caps!
Why: The leggy blonde provides a tres chic mix of outfit inspiration – her personal style definitely has that insouciant French vibe – and trend and brand lowdowns. The ‘boutique’ section of her site is a one-stop shop for the pieces she loves – and we also like the fact she has regular wardrobe clearouts via Vestiaire so true Camille-alikes can snap up her actual clothes…