The silhouette at this time was a masculine one with flatter chests that were held down by specially made corsets. Bras weren’t about support as they are now, some were little more than camisoles, some women even went without bras in order to look more flat chested and breasts would therefore sit much lower down the chest wall as a result. Those with a more generous chest size would attempt to bandage their breasts down flat. The “Symington Side Lacer,” was a bra whose sole intention was to do just that. It was created so that both side could be pulled until the chest was flattened with lacing on both sides of the bra.
Shoes and accessories were more dramatic, too. Shoes would be pumps or strap heels in a medium or high height. Stockings would be sheerer and in colors to match the dress. Gloves would also match or be white (and were taken off to eat). A hat would be whatever is most becoming to the dress, such as a feather trim sun hat or decorative cloche. Learn more about dressing in afternoon party dresses.
In the summer, men’s felt hats were tossed aside in favor of lighter straw hats. The straw boater and skimmer are what most of us think of as men’s ’20s hats. They had a round flat crown and striped ribbon that often represented a gentlemen’s club or college colors. The lightweight straw Panama hat was expensive but much nicer than other thick straw boater hats. By the end of summer, straw hats were in shambles and thrown away. Learn more about men’s hat styles.
Claire Goldsworthy goes by and is famous for her Instagram handle – The Fashion Advocate, and she is a real manifestation of that. The Australian fashion blogger is not your typical run off the mill pulling off latest-trends-blogger. Rather, her style diary, which is her blog, got her thinking about the fast-moving fashion around us, and how we have forgotten the art of consuming products with values and ethics. She interviews, associates, and encourages brands with an ethical and moral binding as opposed to just the highs of fast fashion that become obsolete almost instantly. Check her blog, and follow her on Insta, and I’m sure she will get you thinking.
Once she arrived at her beachside destination, casual comfort was of the utmost importance. White or navy dresses with a nautical or sailor theme were what all classes would wear. Upper classes in the late 1920s began wearing a pants ensemble called beach pajamas. They were inspired by Asian prints with wide legs and a kimono style top or jacket. They were one of the few times women could wear pants. Read about the other types of women’s pants here.
Ling agrees. “Illustration has always been outside the contemporary art structure,” he says. “Some call it second rate and of course there is validity to that in some cases - but the art industry has long been a construct of vested interests so talent hasn’t always necessarily been able to get through. Now Instagram is democratising art, but it's also populist - and in that context people have had careers they wouldn't have otherwise had. But there is no doubt it’s working for the audience - people are certainly buying more and illustrators tend to work with designers on collaborations which photographers rarely do. There’s just an additional collectible appeal.”
Born in January of 1905, this French designer was best known for his distinctive “New Look” silhouette. First shown in 1947; his suits and dresses revolutionized the way women dressed after the Second World War. Today, talented designer John Galliano carries on the legendary designer’s legacy in Paris, where he creates dramatic couture ball gowns, chic prêt-a-porter, and luxurious accessories for Dior. Galliano’s talent and his over-the-top runway shows have ensured that the brand remains strong and viable in today’s world…
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“Fashion illustration can’t be retouched and there is certainly an appeal in that,” says Brett Croft, head of the Vogue House archive. “There is definitely a younger generation of illustrator coming through,” he adds. “It’s to do with Edward of course, but it’s also part of a movement towards more simple artforms which was very obvious at Frieze this year. Last year was all about video and this year there seemed to be a reaction away from that. I think there is an appeal in the fact it can’t be hyper real. It just is what it is - there’s a simplicity to it that is refreshing.”
Why: Of Turkish/Iranian Jewish descent, Medine kicked off her career with a blog called Boogers + Bagels. Her ironic fashion-addict asides soon had her readers rolling in the aisles, and she decided to focus on the topic full-time after a joky conversation while out shopping with a friend about how ‘man-repelling’ all the fashion-forward outfits they loved were. It’s now a male-scaring empire, providing in-depth intel: ‘The difference between Mom Jeans and Dad Jeans’, the fabulous ‘Manstagram’ – all the best fash items du jour – and fun features and style news aplenty.