She is the sister of Gianni Versace, and she has proven to be no lesser sibling. After the murder of Gianni in 1997, Donatella took over and has taken the Versace name to new heights. She made sure that Versace shops would cater to the different fashion centers around the world, particularly Milan and New York. Top celebrities like Jennifer Lopez and Madonna have endorsed the company’s collection of clothes, accessories, fragrances and home furnishings.
1920s fashion in makeup was highly influenced by films. This was the era of silent movies which were extremely popular. In these early times, film lighting was bright and film stock didn’t pick up much detail so film stars (both 1920s men and women) had to really exaggerate their facial features for them to show up. This was especially important because without sound, a lot of acting was performed with the face to convey emotion. So heavy khol round the eyes, a very pale complexion, full eyelashes using mascara and sometimes false eyelashes, and very defined lipstick were all used now.
“Photography has long been considered superior to illustration when it comes to selling magazines” says Downton. “But it’s like asking what an apple can do that a banana can’t. I think they have a symbiotic relationship. Illustration changes the pace of a magazine as you read it; and you project your own finish onto the story which gives a different sense of satisfaction to the reader.”
As we’ve already seen the First World War brought many changes to the lives of women and by the time the roaring twenties were in full swing, women were enjoying the new found freedom they’d been giving due to the economic changes. They smoked and drank – they drove cars and how they dressed changed radically, from the more demure look of the Edwardian period, came the shorter hemlines of the early to mid-1920s.
Many of her posts are highly visual – showcasing the same types of images usually shared on Instagram. This is particularly relevant in her OOTD (Outfit of the Day) category. She shares luscious photos of her day, detailing everything she wears. Kyrzayda provides links to where you can buy what you like. Her followers apparently like to share her OOTD. There are always plenty of comments from her fans giving her opinion on the outfits.
Back in the 80s, curls were 100% the hairstyle to have. Straighteners were out and curlers, crimpers and perms were everywhere. Girls loved their curls and why not? They brought volume, life and waves to their hair. Now, thirty years later, everything retro is back in fashion and women everywhere are realizing that the 80s rocked – especially when it came to fashion.
Of course, the roaring twenties were the decade of the flapper girl, so restrictive corsets and a womanly shape were out. Which was great for the naturally flat chested – no underwear, hurrah! But if you happened to be endowed with any kind of bosom, in order to fit the sleek styles, you needed to go the other way and actually bind your chest into a flat silhouette.
“It’s happening now because social media is so hungry for content, but there is so much cold content out there; so much straight product, which has very little emotional resonance with the audience” says Downie, who was discovered by Nick Knight a year after now-famously taking up painting at the age of 48, and now works with Alessandro Michele at Gucci. “Luxury brands have had to find a way to show their collections in a warm way.”
As illustration has emerged as a tool for cutting through the visual noise of social media, it has itself benefitted from social media’s own disruption of the traditional barometers of quality. Just as David Bowie prophesied in his famous 1999 Newsnight interview that the internet would demystify the relationship between artist and audience, social media has “smashed down the gatekeepers”, says Downie, who doesn’t consider a picture finished until it’s given a “moment of birth” by being published on her Instagram account. “I cried when I saw that Bowie interview,” she says. “It’s so profoundly right, and it’s exactly what happened with my work.”
As for purses women didn’t have much to carry so they were very small by today’s standards. Regular items were purchased on account, which the man paid, so you didn’t need to carry money. Purses were used for makeup, a handkerchief, and a few coins for the bus or movies. Some carried a flask in them. Some had built in makeup compacts. Many carried your cigarettes and cigarette holder. They were mostly an evening item but leather tooled bags were common for day wear. If a woman needed to shop she would bring a larger fabric bag to carry her items home. That probably was what Margaret was doing with hers? I need to rewatch Boardwalk and pay more attention to the ladies.
A graphic designer, illustrator or other artist who concentrates on fashion, including clothing lines, fashion magazine artwork, footwear and drawings found in sewing pattern catalogs, can be classified a fashion illustrator. Combining a background in art and fashion, the artist creates illustrations of clothes and accessories for different purposes. Computer skills and an understanding of digital software illustration tools is increasingly necessary. A fashion illustrator may be hired by a company, a studio or an individual fashion designer.
Although bodies may have seemed slimmer during the 1920s era, this was an illusion as most women dressed to flatten their bodies – the kind of underwear we wear today was unheard of in the twenties. The corselette offered a whole new way of shaping the body, and unlike the corsets that had gone before, in the Edwardian period, the corselette didn’t press the waist in or lift the bust, but flattened the chest and held in the hips.
Body wave perms help to give volume to hair. They’re generally suited for people with thin or flat hair and the curls will be larger on women with hair that is naturally quite straight. It produces loose curls and a gentle wave which is great for adding volume and a bit of life to dull hair. It’s great for shoulder length hair or longer and suits people with square faces as it tends to soften facial features.
After World War I, the fashion landscape shifted like tectonic plates. Once reserved for aristocrats and the affluent, high fashion had taken a noticeably more attainable turn, allowing middle class men and women in on the fun. Some luxurious textiles were finally affordable, making it possible for fashionable items to be created at home. In the 1920s it was still quite common for clothes to be handmade.

If you’re worried about your perm looking a bit too uniform and unnatural, a multi-textured perm could be perfect for you. It’s created using two different sized styling rods which means the curls end up varying sizes throughout your hair. This is thought to look more natural and the uniform and defined curls you would get otherwise. Due to the nature of the perm, it’s best done on women with long hair – the result isn’t quite as flattering on short hair I’m sorry to say.

Simple Makeup Tutorial from 1960 Vintage 1960s makeup tips from Hollywood actress Sandra Dee. Her teacher at Universal is the great Bud Westmore. The secret says Sandra is to look natural Start with Nails So her hands look prettier and nails won’t split, Sandra Dee applies polish, in pale shades of pearl. Then she uses colorless sealer over all Foundation…
A graphic designer, illustrator or other artist who concentrates on fashion, including clothing lines, fashion magazine artwork, footwear and drawings found in sewing pattern catalogs, can be classified a fashion illustrator. Combining a background in art and fashion, the artist creates illustrations of clothes and accessories for different purposes. Computer skills and an understanding of digital software illustration tools is increasingly necessary. A fashion illustrator may be hired by a company, a studio or an individual fashion designer.
All in all the twenties were a popular time of increasing awareness of women’s rights, a more liberal attitude to fashion that stayed, with shorter knee length hemlines staying in vogue. It was a period that embraced a period of peace after one of the worst wars Great Britain had seen so far. The car became more popular, entertainment included going to the movies, radios were starting to make an appearance and some women had been given the vote.
A mother-of-four, Downie clearly has a knack for “accidental” success having initially touched upon the fashion scene via a short stint making jewellery at her kitchen table which was selling at hip Covent Garden store Koh Samui in the late Nineties - before “one day I was cooking fishfinger sandwiches and [Net-A-Porter.com founder] Natalie Massenet calls up to ask if she can buy some for this new online thing she was doing”. Whether professionally trained or not, she’s keen that fashion illustrators are worthy of being called artists regardless of their status in relation to photographers. Certainly her own work is now bought by collectors all over the world at prices akin to fine art, regardless of what her subjects are depicted wearing. Citing the work of her Gucci collaborator Ignaci, as well as that of Kelly Brennan and Jill Button, “it crosses the line of design and fine art”, she says. “Whatever that umbrella term can be called. It shouldn’t be relegated to just fashion illustration.”

In the early 1920s, bows weren’t necessary prominent features on women’s coats, but by the mid twenties, Paris had cabled the world to let them know: bows are in. Depending on the budget, a woman would generally choose between wool velour and fur. A particularly nice coat might be made of all-wool Venise Bolivia, with a Paris bow and buckle that fastened in front of the left hip.
The Parisian fashion blogger and DIY queen Lisa Gachet started blogging a few years ago, and recently launched a brand that represents something she truly believes in – Do It Yourself Fashion. It’s a fascinating concept of making limited edition clothing that is a reflection of your personality, but affordable. Her brand is unique, and her feed is colorful. Follow her for all of it, and more.
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