Notorious gangsters and bootleggers of the 1920s wore 3 piece suits, too. What they wore was determined by their wealth, not their uh… occupation. Some well-to-do gangsters were known for wearing white spats over their boots, just like men did in the early 1900s. A walking cane or rolled umbrella was another accessory that said “old money”. Younger gangsters (the muscle and weapon men) wore whatever suits they could afford. They often did not have matching vests, and they fit poorly since they were purchased second hand. Learn how to dress like a 1920s gangster here.
Other styles included, at the haute couture end, the “Infanta” dress. This was so-called because of its resemblance to dresses worn by Spanish Infantas in historical portraits. It was far more romantic than the chemise dress, consisting of a fitted bodice with a dropped waist, and flat, wide panniers to the hips. In length it usually was just below the knee. Versions of this included a similar bodice with a dropped waist but a flared full skirt instead of panniers, or fluted panels inserted into the skirt.
Larger hats were better at making the wearer the center of attention. The crown was effectively trimmed with tubular stitching and the semi-poke brim faced with taffeta. It was a hat so spectacular it had to be seen to be truly appreciated. The designer had used the velvet flower and grosgrain ribbon as well as band and bow ends. Hats like these were featured quite prominently in exclusive New York fashion shops, costing twice as much as most other hats.
Bobs came in many styles and quite a few lengths. They could be cut slightly longer than jaw length, or as high as the cheekbones with a clipped back. They could be parted at the centre or the side or have no parting, they could have a fringe or none, or if they did the fringe could be many different heights over the forehead, wispy or strong, cut straight across, curved or even as a heart shape. They could also be curled or waved in many different ways.
College men wore looser suits, often without jackets- just a pair of pants, shirt, tie, belt and maybe a vest. Hats were optional as well. Raccoon coats were not. Whatever the trendy fashion of the year was college kids had to wear it. They also had to wear college colors in a scarf, a pocket square, bag, hat band, pin or ring. School spirit was vital to the dress code.
Men wore hats out of the house just as the ladies did, although they were always taken off inside, which led to many men losing hats when placed on a community hat stand. Popular felt hats were the round bowler or derby hat, followed by the Homburg with a center crease in the crown. The felt fedora hat was a newer trend with a more casual appearance for the middle classes. Various other hat styles were shaped from felt or straw with rolled brims or tall crowns. A hat did not need to match a man’s suit but should not stand out either. Common colors were grey, black and brown wool felt.
Akanksha Redhu’s blog is a mixed bag and treasure trove. From everyday looks to travel posts, lifestyle, beauty tips, event coverages, and of course fashion, which remains the constant for all the categories – she posts it all. What started with an idea to journal fashion statements, is now 131k strong on Instagram, and one of India’s top fashion blogs. If you don’t follow her yet, make sure you do.
A tailored dress made of a silk blend crepe or wool was also appropriate. These dresses featured a natural waist sash in the early 20s that gradually moved down into a drop waist with a thin belt. Dresses fit loose and usually slipped on overhead. A small collar or wide open flat collar with a bow tie at the neck was essential to the 20s wardrobe. Details were added to the dress that elongated the body such as vertical pintucks, a row of buttons, and pleated skirts.
Basically for the ones who do not want to be dressed like a woman. They do not abide by the usual norms of what a woman should wear. To put it lightly, they prefer black over pink. Most of their clothing are a bit baggy and focuses more on graphic T-Shirts and Shirts from the boy’s selection. They do not prefer light colors and frills or laces. It can ask so be described as simple and modern. A boyish look is what they prefer over the classy, elegant looks.
Fashion Illustration has gone from being one of the sole means of fashion communication to having a very minor role. The first photographic cover of Vogue was a watershed in the history of fashion illustration and a watershed mark of its decline. Photographs, no matter how altered or retouched, will always have some association with reality and by association truth. I like to think of them [fashion Illustrations] as prose poems and having more fictional narratives. They are more obviously filtered through an individual vision than photos. Illustration lives on, but in the position of a poor relative to the fashion.
Why you should follow: Marissa Cox not only writes Rue Rodier, she's also one of Who What Wear's columnists, so you know we really rate her style. The fashionable Brit moved to Paris in 2013 but had to change up her style to match her chic new city. As a result, she's got some brilliant learnings to dish out when it comes to dressing French. Merci, indeed.